Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Otario que andás penando is a Tango written by Alberto Vacarezza and composed by Enrique Delfino.
The tango “Otario que andás penando” speaks directly to someone who is suffering unnecessarily, questioning the depths of their sorrows and suggesting a change in perspective. “Otario,” roughly translated to “fool” or “sucker” in English, suggests that the person addressed in the song is naïvely allowing themselves to be overwhelmed by life’s challenges. The lyrical persona seems to prompt reevaluation: Despite the betrayals and losses (“the friend who betrayed you, and the gambling that drained you”), life goes on and deserves a laughter approach.
This tango employs jovial sounds (reflected in the playful “jajarai, jajai, jajá”) to contrast the serious themes of betrayal and despair. The use of instruments like “guitar” and “bandoneón” in the lyrics symbolizes the typical escape or relief music provides from daily struggles. The sun’s eventual rise after a dark night represents hope and resilience, reinforcing the message that joy and laughter are not only possible but necessary responses to life’s inevitable trials.
“Otario que andás penando” was written during a period when Tango reflected not just the cultural identity of Argentina but also communicated the emotional plight of its people. Premiering in 1932, this piece emerged during economic struggles and societal shifts, capturing the essence of personal resilience against the backdrop of broader societal challenges. It encourages finding solace in art and collective experience, as well as maintaining a defiantly joyful outlook in the face of adversity.
Alberto Vacarezza was a renowned Argentine playwright and tango lyricist, admired for his portrayal of the Buenos Aires lower classes and their traditions.