Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Ojos tristes (Ojos muertos) is a Tango written by Alfredo Navarrine and composed by Rafael Iriarte.
‘Ojos tristes (Ojos muertos)’ directly translates to ‘Sad Eyes (Dead Eyes)’ in English. Through its haunting lyrics, this tango vividly portrays a narrative of loss, disillusion, and a profound disconnection from spirituality and humaneness. The lament starts in a scene swallowed by endless night, symbolizing a youth’s transition from joy to disheartenment. As adults lose their idealism and the elderly are left begging, the song paints a bleak picture of a society filled with betrayal represented by the imagery of Judas and disloyalty of Cain.
Alfredo Navarrine uses vivid religious and visual imagery to deepen the emotional impact of the song. References to Judas and Cain encapsulate betrayal and moral corruption. The ‘tambalea Cruz’ (wavering cross) suggests a faltering faith in values once held sacred. Eyes, a recurring motif in the song, symbolize the soul’s windows. ‘Ojos sin lágrimas puras’ points towards hardened hearts, and eyes that always look down signify avoidance of truth or denial of affection. Ultimately, even the ‘human blindness’ mentioned is less about physical sight and more about moral and empathetic blindness.
Recorded in 1938, a period marked by global unrest and the prelude to WWII, ‘Ojos tristes (Ojos muertos)’ resonates with a universal plea for compassion and introspection. Argentina itself, during this time, was dealing with its own complex political and economic fluctuations which influenced its cultural output. This tango, rooted in Argentine culture, manifests the melancholic yet critical voice often prevalent in the period’s music and literature, reflecting on societal issues and human emotion.
Alfredo Navarrine was an impactful lyricist in the realm of Tango, known for infusing his works with poignant social and emotional commentary.