Fabrice Knecht Tango DJ
Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
No es por hablar mal (2) is a Tango written by Manuel Romero and composed by Enrique Delfino.
The tango “No es por hablar mal (2)” is a vivid portrayal of societal observations and everyday occurrences, wrapped in a humorous but critical narrative. The lyrics focus on the hypocrisies and ironic situations that the narrator encounters in his daily life, especially highlighting the transformation of characters in society who elevate their social standings through dubious means. This piece paints a picture where societal values seem upturned, with former criminals becoming law enforcers and the impoverished pretending affluence, all contributing to a broader commentary on social mobility and authenticity.
The lyrics of the song are ripe with symbolism and satirical commentary. Phrases like “la lustra un gran bacán,“ metaphorically describe how people polish their public image or facade to climb the social ladder, often at a personal or moral cost. The repeated line, “¡No es por hablar mal, qué esperanza!” emphasizes the reluctant, yet necessary criticism the speaker feels compelled to make about the state of societal ethics and values. This duality in the line reflects a common man’s conflict between politeness and the need to speak out against societal absurdities.
Created in 1930 in Argentina, a period marked by significant political and social shifts, this tango by Manuel Romero offers insight into the public psyche and societal critique of the era. This was a time when Argentina was characterized by economic fluctuations and a burgeoning middle class whose aspirations often led to a disregard for traditional values in pursuit of material success. The transformation of everyday people, as noted in the lyrics from humble beginnings to positions of power or pretending wealth, mirrors the societal transformations during the Argentine Rase’s rise to power and the subsequent effects of the Great Depression globally.
Manuel Romero was a prominent Argentinian lyricist known for his poignant and often satirical commentary on society through his tango compositions.