Fabrice Knecht Tango DJ

Mimí Pinsón (Mimí Pinzón)

Mimí Pinsón (Mimí Pinzón) is a Tango written by Aquiles Roggero and recorded by Juan D’Arienzo in 1973. The Tango Mimí Pinsón (Mimí Pinzón) is written by Aquiles Roggero, Juan D’Arienzo has recorded Mimí Pinsón (Mimí Pinzón) with the singer Osvaldo Ramos.
“Mimí Pinsón (Mimí Pinzón)” can be translated to “Mimí the Sparrow” in English. The name evokes the image of a delicate yet spirited bird, navigating the bustling city with elegance and grace. Mimí’s dance through the streets is a poetic embodiment of resilience, capturing the essence of life’s unpredictability with charm and a touch of whimsy.

Tango

Style

Juan D'Arienzo

Orchestra

Osvaldo Ramos

Singer

Enrique Cadícamo

Author

Aquiles Roggero

Composer

1973/12/14

Date

Osvaldo Ramos
Osvaldo Ramos
Juan D'Arienzo
Juan D’Arienzo

Discover Other Orchestras

Ricardo Tanturi – Rey del tango – 1944/1/21
Ricardo Tanturi – Me llaman El Zorro – 1942/12/4
Ricardo Tanturi – Recién – 1944/3/24
Ricardo Tanturi – Quereme un poquito – 1959/1/29
Ricardo Tanturi – Tu olvido – 1946/12/19
Osvaldo Pugliese – Si sos brujo – 1952/10/9
Osvaldo Pugliese – Por qué la quise tanto – 1962/9/1
Osvaldo Pugliese – Buenos Aires – Tokio – 1965/4/1
Osvaldo Pugliese – Mala junta – 1985/12/26
Osvaldo Pugliese – Qué noche – 1968/12/1
Rodolfo Biagi – Esta noche me emborracho – 1946/12/30
Rodolfo Biagi – Anselmo Laguna – 1945/10/15
Rodolfo Biagi – Cielo – 1939/9/18
Rodolfo Biagi – Serenata campera – 1950/9/13
Rodolfo Biagi – Yuyo verde – 1945/1/24
Enrique Rodríguez – Soy un pobre presidiario – 1955/6/10
Enrique Rodríguez – Pues quien lo tiene – 1938/5/23
Enrique Rodríguez – Música de rancho – 1943/12/28
Enrique Rodríguez – Era una tarde de toros – 1946/12/2
Enrique Rodríguez – Mariposa (2) – 1946/1/9

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

Mimí Pinsón (Mimí Pinzón) recorded by other Orchestras

Mimí Pinsón (Mimí Pinzón) recorded by other Orchestras

1973/12/14 – El pillete – Juan D-Arienzo
1973/12/14 – Viernes trece – Juan D-Arienzo
1973/12/14 – Zorro gris – Juan D-Arienzo
1973/12/14 – La guinada – Juan D-Arienzo
1973/12/14 – Ay Aurora – Juan D-Arienzo
Mimi Pinson (Mimi Pinzon) – 1973/12/14 – Juan D-Arienzo – Osvaldo Ramos
Mimi Pinson (Mimi Pinzon) – 1980/6/27 – Osvaldo Fresedo – Hugo Garcia
Mimi Pinson (Mimi Pinzon) – 1951/3/29 – Osmar Maderna – Adolfo Rivas

Lyrics Translation of the Tango Mimí Pinsón (Mimí Pinzón)

This is the translation of the Tango “Mimí Pinsón (Mimí Pinzón)” from Spanish to English. The English lyrics of the Tango “Mimí Pinsón (Mimí Pinzón)” have been done with AI.

Mimí Pinsón (Mimí Pinzón) recorded by Juan D’Arienzo


Mimí Pinsón (Mimí Pinzón) is an instrumental Tango composed by Aquiles Roggero.



Interpretation of Mimí Pinsón (Mimí Pinzón)

The name “Mimí Pinsón (Mimí Pinzón)” translates to “Mimí Pinsón” in English, which could suggest a character of charm, playfulness, and vibrancy. As a piece of instrumental tango played by the Tango Orchestra Juan D’Arienzo, it might be interpreted with a lighthearted yet passionate spirit. The music could feature a lively tempo with a rhythmic and pronounced staccato style characteristic of D’Arienzo’s orchestra. Imagery of a bustling street in Buenos Aires might come to mind, with occasional pauses that allow a moment of romantic reflection, contrasting with bursts of energy that mimic a dance on cobbled streets. As the orchestra progresses, the violin might lead with melodic flourishes, accompanied by the rhythmic drive of the bandoneon, painting a vivid, musical portrait of Mimí’s adventurous and spirited personality.



Juan D’Arienzo and Mimí Pinsón (Mimí Pinzón)

In the hands of Juan D’Arienzo, “Mimí Pinsón (Mimí Pinzón)” becomes a testament to the powerful, kinetic style that made his orchestra famous. Known as “El Rey del Compás” or “The King of the Beat,” D’Arienzo’s interpretation likely brings out the dynamic essence of the piece. His orchestra, famous for its rhythmic intensity and vibrant energy, provides a robust backdrop, helping to bring out the playful, yet rich undertones inherent in Aquiles Roggero’s composition. This rendition might capture the nostalgic yet timeless allure of tango, embodying both the liveliness of the dance and the emotive depth of Argentine music culture.