Fabrice Knecht Tango DJ

Mentías (3)

Mentías (3) is a Tango written by and recorded by Roberto Firpo in 1927. Roberto Firpo has recorded Mentías (3) as an instrumental Tango.
“Mentías (3)” translates to “You Lied (3)” in English. This evocative piece, whether sung or instrumental like a passionate Tango, captures the anguish of betrayal and the familiar dance of deception. Each note and pause tells a story of love’s façade, where heartfelt emotions are entwined with the sting of untruths, repeating a haunting cycle.

Tango

Style

Roberto Firpo

Orchestra

Instrumental

Singer

Author

Composer

1927/10/20

Date

Instrumental
Instrumental
Roberto Firpo
Roberto Firpo

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Florindo Sassone – Veinte tangos atras – 1975/1/1
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Florindo Sassone – Danzarín – 1968/5/30
Cuarteto Aníbal TROILO – Milonguero triste – 1969/7/30
Cuarteto Aníbal TROILO – Del barrio de las latas – 1968/8/5
Cuarteto Aníbal TROILO – Los mareados – 1968/9/11
Cuarteto Aníbal TROILO – Toda mi vida – 1968/8/5
Cuarteto Aníbal TROILO – Nocturno a mi barrio – 1969/7/30
Miguel Caló – Trapitos – 1946/3/15
Miguel Caló – Percal – 1943/2/25
Miguel Caló – Dos fracasos – 1941/7/31
Miguel Caló – Por qué seguir – 1957/7/11
Miguel Caló – Nadine – 1964/4/7

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

1927/10/20 – Olvida corazon – Roberto Firpo
1927/10/20 – Negrucha – Roberto Firpo
1927/10/20 – Los ojazos de mi negra – Roberto Firpo
1927/10/20 – Desde el alma – Roberto Firpo
1927/10/18 – Didi – Osvaldo Fresedo

Mentías (3) recorded by Roberto Firpo


Mentías (3) is an instrumental Tango composed by .



Interpretation of Mentías (3)

The title “Mentías” translates to “You Lied” in English, suggesting themes of deception and emotional turmoil. As an instrumental tango performed by the orchestra of Roberto Firpo, “Mentías (3)” likely captures the dramatic and poignant essence of the tale of deceit it implies. The composition possibly uses the passionate and dramatic flair typical of tango music, with swooping violin melodies, driving piano rhythms, and the soulful strains of a bandoneón. These musical elements portray a story of distrust and betrayal, with changes in tempo and dynamics reflecting the emotional highs and lows of discovering deceit. It might start with a slow, mournful introduction, building into a tense and agitated middle section, before resolving into a reflective and possibly forgiving finale, conveying the complexity of human emotions involved in such a situation.



Roberto Firpo and Mentías (3)

Roberto Firpo, a pivotal figure in tango music, is known for bringing a modern and sophisticated sound to the tango scene of the early 20th century. His orchestra’s rendition of “Mentías (3)” would not just exemplify the technical precision and emotive expression that his music is known for but also ensure that the intricacies and emotions embedded in the piece are brought to life with elegance. Recorded in 1927, this piece would be a reflection of the era’s style, incorporating the traditional elements of tango that have evolved under Firpo’s influence into a powerful and emotive instrumental narrative.