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Melodía de arrabal

Melodía de arrabal is a Tango written by Carlos Gardel and recorded by Carlos Gardel in 1933. The Tango Melodía de arrabal is written by Carlos Gardel, Carlos Gardel has recorded Melodía de arrabal with the singer Guit. Guillermo Barbieri, Ángel Domingo Riverol, Horacio Pettorosi, Domingo Julio Vivas.
“Melodía de arrabal,” or “Melody of the Suburbs,” captures the soulful essence of life in vibrant yet gritty city outskirts. It evokes the heartbeat of a community where dreams mingle with the dust of everyday life, weaving stories of resilience and passion. Each note dances through the air, echoing tales of love, struggle, and unyielding spirit.

Tango

Style

Carlos Gardel

Orchestra

Guit. Guillermo Barbieri, Ángel Domingo Riverol, Horacio Pettorosi, Domingo Julio Vivas

Singer

Alfredo Le Pera, Mario Battistella

Author

Carlos Gardel

Composer

1933/1/25

Date

Guit. Guillermo Barbieri, Ángel Domingo Riverol, Horacio Pettorosi, Domingo Julio Vivas
Guit. Guillermo Barbieri, Ángel Domingo Riverol, Horacio Pettorosi, Domingo Julio Vivas
Carlos Gardel
Carlos Gardel

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Melodía de arrabal recorded by other Orchestras

Melodía de arrabal recorded by other Orchestras

Lyrics Translation of the Tango Melodía de arrabal

This is the translation of the Tango “Melodía de arrabal” from Spanish to English. The English lyrics of the Tango “Melodía de arrabal” have been done with AI.

Letra del Tango Melodía de arrabal

Barrio plateado por la luna,

rumores de milonga

es toda su fortuna.

Hay un fueye que rezonga

en la cortada mistonga,

mientras que una pebeta,

linda como una flor,

espera coqueta

bajo la quieta

luz de un farol.



Barrio… barrio..

que tenés el alma inquieta

de un gorrión sentimental.

Penas…ruego…

¡esto todo el barrio malevo

melodía de arrabal!

Barrio… barrio…

perdoná si al evocarte

se me pianta un lagrimón,

que al rodar en tu empedrao

es un beso prolongao

que te da mi corazón.



Cuna de tauras y cantores,

de broncas y entreveros,

de todos mis amores.

En tus muros con mi acero

yo grabé nombres que quiero.

Rosa, ‘la milonguita’,

era rubia Margot,

en la primer cita,

la paica Rita

me dio su amor.

English lyrics of the Tango "Melodía de arrabal"

Moon-silvered neighborhood,
echoes of milonga
are all its wealth.

There’s a squeezebox grumbling
in the mean little street,
while a lovely girl,
pretty as a flower,
waits coquettishly
under the steady
light of a street lamp.

Neighborhood… neighborhood…
you have the restless soul
of a sentimental sparrow.
Sorrows… pleadings…
this whole sly neighborhood
a melody of the suburbs!
Neighborhood… neighborhood…
forgive me if as I evoke you
a tear starts to fall,
which as it rolls on your cobblestones
is a prolonged kiss
that my heart gives to you.

Cradle of tough guys and singers,
of fights and tussles,
of all my loves.
On your walls with my steel
I engraved names that I cherish.
Rosa, ‘the little dancer’,
blond was Margot,
on the first date,
the bold Rita
gave me her love.

Melodía de arrabal by Alfredo Le Pera, Mario Battistella

Melodía de arrabal is a Tango written by Alfredo Le Pera, Mario Battistella and composed by Carlos Gardel.



Story behind the Tango Melodía de arrabal

The tango “Melodía de arrabal” portrays a sentimental narrative rooted deeply in the urban landscape of the arrabal, the outskirts or suburbs of Buenos Aires. It captures the essence of neighborhood life under the moon’s glow, surrounded by the sounds of Milonga—an upbeat, rhythmic tango style. The lyrics dive into the communal experience of a simple life amidst the city’s outskirts, depicting local scenery, from a complaining accordion in a “mistonga” alleyway to a pretty young woman (pebeta) waiting beneath a still street lamp, hinting at themes of longing and youthful anticipation.



Symbolism of Melodía de arrabal

The symbolic language used in “Melodía de arrabal” is rich and layered. The “luna” (moon) bespeaks the changes and phases, implying the evolution of the neighborhood and perhaps of the lives within it. “Barrio” is repeatedly referenced with a restless soul of “un gorrión sentimental” (sentimental sparrow), using the bird typically known for its modesty and simplicity to symbolize the humble yet emotionally rich life of the neighborhood’s inhabitants. The mention of the “faro” (street lamp) as a source of light where the girl waits provides a beacon of hope and a focal point for community gatherings and personal stories.



Melodía de arrabal in historic Context

Written during the early 1930s—a tumultuous period in Argentina marked by political instability and economic strife—this tango resonates with the melancholy yet enduring spirit of the Argentine lower class. The “empedrao” (cobbled stones) represent the rough and enduring paths tread by those in the arrabales. Moreover, the “pianta un lagrimón” (shedding a tear) phrase beautifully illustrates the pain and nostalgia for a simpler, albeit challenging time strongly reflecting the sentiments during the era of its composition.



Alfredo Le Pera, Mario Battistella

Alfredo Le Pera and Mario Battistella were influential figures in the world of Latin American music, particularly known for their collaborations with Carlos Gardel that produced rich, emotive tangos reflecting Argentine culture and sentiment.