Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Marejada is a Tango written by Daniel López Barreto and composed by Roberto Firpo.
“Marejada” tells a poignant tale of love and loss through the eyes of a man who leaves his beloved homeland and his love, reflecting the emotions tied to departure and the impact on those left behind. As the lyrics unfold, it reveals that the departure was deeply painful not only for him but also for a woman who loved him dearly, suggesting a romantic yet sorrowful backstory where his leaving caused significant emotional turmoil.
The word “marejada,” meaning “swell” or “surge” in English, metaphorically represents the overwhelming emotions and the disruptive force of the narrator’s actions on his life and the life of the woman he left behind. The imagery of handkerchiefs waving in sorrow as he departs, and the “ship of illusions” being swept away without direction, deepens the emotional landscape of the tango, portraying the departure and its aftermath as a storm that disorients and devastates.
Recorded in 1941 in Argentina, “Marejada” emerges during a turbulent period marked by global and local upheavals, including the lead-up to World War II and significant social changes in Argentina. This backdrop may amplify the themes of loss, nostalgia, and upheaval, mirroring the national sentiment of an era filled with uncertainty and transformation, and lending the tango a layer of depth that resonates with the collective emotional state of its audience.
Daniel López Barreto was an Argentine lyricist known for his contributions to the genre of tango, providing emotional depth and narrative to this unique musical style.