Fabrice Knecht Tango DJ

Lemita

Lemita is a Tango written by Miguel Padula and recorded by Orquesta Típica Victor in 1933. The Tango Lemita is written by Miguel Padula, Orquesta Típica Victor has recorded Lemita with the singer Alberto Gómez.
“Lemita,” translated into English as “Little Task,” carries an air of understated depth in its melody. This piece, whether tango or other form, whispers of life’s seemingly small duties, each note reflecting the quiet significance that these moments hold. In its rhythm, one finds a delicate balance between the mundane and the profound, weaving an intricate dance of existence.

Tango

Style

Orquesta Típica Victor

Orchestra

Alberto Gómez

Singer

Adolfo Dispagna

Author

Miguel Padula

Composer

1933/10/27

Date

Alberto Gómez
Alberto Gómez
Orquesta Típica Victor
Orquesta Típica Victor

Discover Other Orchestras

Carlos Gardel – El cimarrón del estribo – 1929/12/20
Carlos Gardel – Una rosa para mi rosa – 1933/10/13
Carlos Gardel – Tu vieja ventana – 1927/12/17
Carlos Gardel – Porque te quiero – 1920/1/1
Carlos Gardel – El arroyito – 1923/1/1
Edgardo Donato – Para qué – 1939/1/26
Edgardo Donato – Mi sueño dorado – 1930/1/1
Edgardo Donato – La milonga que faltaba – 1938/2/5
Edgardo Donato – Dios lo sabe – 1935/6/13
Edgardo Donato – Mi soberana – 1931/1/1
Cuarteto Aníbal TROILO – Los mareados – 1968/9/11
Cuarteto Aníbal TROILO – Milonguero triste – 1969/7/30
Cuarteto Aníbal TROILO – Sobre el pucho (Un callejón en Pompeya) – 1968/9/11
Cuarteto Aníbal TROILO – La tablada – 1968/8/5
Cuarteto Aníbal TROILO – Nocturno a mi barrio – 1969/7/30
Francisco Rotundo – Muchachos silencio – 1953/1/5
Francisco Rotundo – Muriéndome de amor – 1956/12/5
Francisco Rotundo – Esclavas blancas – 1950/12/29
Francisco Rotundo – Milonguera – 1954/4/12
Francisco Rotundo – Farolito viejo – 1954/11/16

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

1933/10/27 – La Parda Isabel – Orquesta Tipica Victor
1933/10/25 – Con los amigos (A mi madre) – Carlos Gardel
1933/10/25 – El carretero – Carlos Gardel
1933/10/25 – Suena guitarra querida – Carlos Gardel
1933/10/31 – Mi portenita gracil – Edgardo Donato

Lyrics Translation of the Tango Lemita

This is the translation of the Tango “Lemita” from Spanish to English. The English lyrics of the Tango “Lemita” have been done with AI.

Letra del Tango Lemita

Llegan los hinchas, la cancha se llena
Avanzan los “santos” con fe y corazón,
Guardando la valla, con gesto altanero
Se cuadra soberbio, “Mickey” el ratón.

La “bol” se desprende, rugiendo furiosa
Cruzando el espacio con saña tenaz,
Va y muere en silencio, de Lema en las manos
Y estalla la barra en grito triunfal.

English lyrics of the Tango "Lemita"

The fans arrive, the field fills up
The “saints” advance with faith and heart,
Guarding the goal, with a haughty gesture
“Mickey” the mouse stands proud.

The ball breaks free, roaring furiously
Crossing the space with persistent fury,
It dies silently, in Lema’s hands
And the crowd bursts into triumphant cries.

Lemita by Adolfo Dispagna

Lemita is a Tango written by Adolfo Dispagna and composed by Miguel Padula.



Story behind the Tango Lemita

“Lemita” lyrically depicts a vibrant scene of a football (soccer) match, a common and beloved event in Argentinian culture. The lyric focuses on the anticipation and excitement that fills a stadium as fans (“los hinchas”) gather enthusiastically. The heart and faith (“con fe y corazón”) of the players (“los ‘santos'”) reflect the deep emotional connection and communal hope vested in the game. The goalkeeper, referred to as “Mickey” el ratón, is a central figure, characterized with expressions of pride and defiance, highlighting his crucial role in the match.



Symbolism of Lemita

The name “Lemita” itself does not translate directly into English but could be interpreted as a diminutive or affectionate form of a name or an object, possibly alluding to an endearing nickname in the sports context, perhaps referring to the goalie or a key player. The ball (“la ‘bol'”), symbolizing fate or destiny, moves across the field “furiosa” (furiously), emphasizing its uncontrollable nature, much like life’s unpredictability. When it finally “dies” silently in Lema’s hands, it suggests moments of anticlimax or destiny fulfilled, where the uproar of the crowd transforms into a triumphant cry, encapsulating the highs and lows experienced by the spectators and players alike.



Lemita in Historic Context

The year 1933 was a significant period in Argentina, marked by political and social changes. During this time, sports, particularly football, served as a crucial escape and a unifying force for the people, amidst the backdrop of the country’s restructuring. The football stadium, depicted vividly in “Lemita,” serves as a microcosm of society, where various emotions, from hope to triumph, are played out intensely. The heroic depiction of players and the spiritual connection fans have with the game reflect the cultural importance of football in Argentina, serving both as a communal activity and a source of national pride.



Adolfo Dispagna

Adolfo Dispagna was an illustrious figure in the Argentine Tango scene, known for his lyrical prowess that beautifully encapsulated the emotions and everyday life of the Argentine people.