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La morocha

La morocha is a Tango written by Enrique Saborido and recorded by Florindo Sassone in 1966. Florindo Sassone has recorded La morocha as an instrumental Tango.
“La Morocha,” which translates to “The Brunette” in English, is a piece rich with the allure and mystery that comes with dark, flowing hair and deep, expressive eyes. This captivating tango captures the essence of a vibrant woman whose presence is electrifying, embodying both passion and elegance. Her spirit dances through the music, inviting us into a world of romance and intrigue.

Tango

Style

Florindo Sassone

Orchestra

Instrumental

Singer

Angel Villoldo

Author

Enrique Saborido

Composer

1966/1/1

Date

Instrumental
Instrumental
Florindo Sassone
Florindo Sassone

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La morocha recorded by other Orchestras

La morocha recorded by other Orchestras

Letra del Tango La morocha

Yo soy la morocha,

la más agraciada,

la más renombrada

de esta población.

Soy la que al paisano

muy de madrugada

brinda un cimarrón.



Yo, con dulce acento,

junto a mi ranchito,

canto un estilito

con tierna pasión,

mientras que mi dueño

sale al trotecito

en su redomón.



Soy la morocha argentina,

la que no siente pesares

y alegre pasa la vida

con sus cantares.

Soy la gentil compañera

del noble gaucho porteño,

la que conserva el cariño

para su dueño.



Yo soy la morocha

de mirar ardiente,

la que en su alma siente

el fuego de amor.

Soy la que al criollito

más noble y valiente

ama con ardor.



En mi amado rancho,

bajo la enramada,

en noche plateada,

con dulce emoción,

le canto al pampero,

a mi patria amada

y a mi fiel amor.



Soy la morocha argentina,

la que no siente pesares

y alegre pasa la vida

con sus cantares.

Soy la gentil compañera

del noble gaucho porteño,

la que conserva el cariño

para su dueño.

English lyrics of the Tango "La morocha"

I am the brunette,
the most graceful,
the most renowned
in this town.

I’m the one who to the peasant
very early in the morning
offers a strong coffee.

I, with sweet accent,
next to my little ranch,
sing a little style
with tender passion,
while my master
leaves at a trot
on his fine horse.

I’m the Argentine brunette,
the one who doesn’t feel sorrows
and cheerfully lives life
with her singing.
I am the kind companion
of the noble gaucho from Buenos Aires,
the one who keeps her affection
for her owner.

I am the brunette
with a burning gaze,
the one who in her soul feels
the fire of love.
I’m the one who loves
the most noble and valiant little man
passionately.

In my beloved ranch,
under the foliage,
on a silver night,
with sweet emotion,
I sing to the pampero wind,
to my beloved homeland
and to my true love.

I’m the Argentine brunette,
the one who doesn’t feel sorrows
and cheerfully lives life
with her singing.
I am the kind companion
of the noble gaucho from Buenos Aires,
the one who keeps her affection
for her owner.

La morocha by Angel Villoldo

La morocha is a Tango written by Angel Villoldo and composed by Enrique Saborido.


Story behind the Tango La morocha

“La morocha” is a lively and deeply expressive piece that portrays the story of a self-assured, spirited Argentine woman known as “La morocha”. This term itself, translating to “the brunette” in English, eludes to a woman with dark hair, often used here to denote a typical Argentine beauty. The lyrics celebrate her free spirit, happiness, and her deep feelings of love and attachment towards her land, her lover, and her life. Rich in emotion, the refrain of the song uplifts as it highlights her resilience and joyous demeanor in leading a carefree life filled with song and affection.


Symbolism of La morocha

The repeated chorus lines paint a vivid picture of cultural identity and the idealized view of life on the pampas. “Soy la morocha argentina, la que no siente pesares y alegre pasa la vida con sus cantares” suggests not just joy and resilience, but an inherent cultural pride — “la morocha argentina” symbolizes an iconic national identity. This deeply emotional and personal attachment to her geographical and cultural roots showcases a broader nationalistic pride, while “conserva el cariño para su dueño” may symbolically represent a devoted loyalty to her origins and to the gaucho lifestyle.


La morocha in historic Context

First circulated around 1966, “La morocha” sits within a significant period of Argentine history where national identity was particularly reinforced through culture amidst modernization pressures. Villoldo’s tango emerges not simply as a musical expression, but as a cultural statement that intricately intertwines with the notions of Argentinian heritage, pride, and the romanticized view of the gaucho life. It reflects on personal and cultural resistance against the homogenization of globalization, yearning instead to preserve unique local traditions and values through the art of tango.


Angel Villoldo

Angel Villoldo, often hailed as one of the fathers of the Tango, was an influential Argentine musician and one of the pioneering figures in the development of the Tango genre in the late 19th and early 20th centuries.