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La bruja

La bruja is a Tango written by Juan Polito and recorded by Juan D’Arienzo in 1938. The Tango La bruja is written by Juan Polito, Juan D’Arienzo has recorded La bruja with the singer Alberto Echagüe.
“La Bruja,” which translates to “The Witch,” weaves an enchanting tale through its haunting melodies. The music, with its captivating rhythms, conjures images of a mysterious figure dancing beneath a moonlit sky, her presence both alluring and foreboding. Each note resonates with an air of mystique, embodying the transformative power and eternal allure of the witch’s enchantment.

Tango

Style

Juan D'Arienzo

Orchestra

Alberto Echagüe

Singer

Francisco Gorrindo

Author

Juan Polito

Composer

1938/8/26

Date

Alberto Echagüe
Alberto Echagüe
Juan D'Arienzo
Juan D’Arienzo

Discover Other Orchestras

Juan D’Arienzo – Callejas sólo – 1928/1/1
Juan D’Arienzo – Tinta verde – 1935/12/8
Juan D’Arienzo – Hola ricurita – 1962/11/13
Juan D’Arienzo – Barajando – 1948/6/15
Juan D’Arienzo – Porbre cieguita – 1928/1/1
Ricardo Tanturi – Fondín de Pedro Mendoza – 1957/4/2
Ricardo Tanturi – Mi piba (Mi piba linda) – 1943/3/16
Ricardo Tanturi – Canción de rango (Pa’ que se callen) – 1942/12/4
Ricardo Tanturi – Me besó y se fue – 1945/2/19
Ricardo Tanturi – Alma de bohemio – 1947/4/2
Alfredo De Angelis – Cuatro líneas para el cielo – 1948/12/17
Alfredo De Angelis – Zorro gris – 1952/7/1
Alfredo De Angelis – La limosna – 1949/12/13
Alfredo De Angelis – Llevame carretero – 1961/6/26
Alfredo De Angelis – Esta vuelta pago yo – 1947/10/21
Astor Piazzolla – En la huella del adiós – 1947/5/26
Astor Piazzolla – Villeguita – 1948/12/14
Astor Piazzolla – Triste – 1950/1/1
Astor Piazzolla – Adios marinero – 1946/10/7
Astor Piazzolla – Che Bartolo – 1947/12/19

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

La bruja recorded by other Orchestras

La bruja recorded by other Orchestras

1938/8/26 – Lelia – Juan D-Arienzo
1938/8/25 – El tentador – Roberto Firpo
1938/8/25 – En el desierto – Roberto Firpo
1938/8/25 – Indio sacale el pelo – Roberto Firpo
1938/8/25 – Volver a querer – Roberto Firpo
La bruja – 1938/8/26 – Juan D-Arienzo – Alberto Echague
La bruja – 1959/10/15 – Juan D-Arienzo – Mario Bustos

Lyrics Translation of the Tango La bruja

This is the translation of the Tango “La bruja” from Spanish to English. The English lyrics of the Tango “La bruja” have been done with AI.

Letra del Tango La bruja

Ahogando este grito que sube del pecho,
y llega a los labios cargao de rencor,
yo vuelvo a tu lado, atadas las manos,
pero pa’ decirte que todo acabó,
Que ya no me importa tu risa o tu llanto,
que a fuerza ‘e coraje vencí al corazón,
y que hoy como nunca mirándote cerca,
te veo realmente, así como sos.

La Bruja,
que ayer fuera reina de todo mi ser,
hoy, roto el encanto, no es más que mujer.
La Bruja,
montón de caprichos que me esclavizó,
hoy es un paisaje, cubierto de horror.

Me vuelvo a la vida sencilla y honrada,
me vuelvo a un cariño que es noble y leal,
y puede que un día, curada mi alma,
a fuerza de hombría levante un hogar.

Entonces, acaso, me habré redimido,
y vos, para entonces, quién sabe si sos,
un cacho de invierno cargado de males,
un resto de vida, un poco de tos.

English lyrics of the Tango "La bruja"

Drowning this cry rising from my chest,
reaching my lips loaded with scorn,
I return to your side, hands bound,
but to tell you that it’s all over.
That I no longer care for your laughter or tears,
that with sheer courage I conquered my heart,
and today, more than ever, seeing you up close,
I see you truly, as you really are.

The Witch,
who once reigned over all my being,
today, with the spell broken, is just a woman.
The Witch,
a bundle of whims that enslaved me,
now is a landscape covered in horror.

I return to a simple and honest life,
I return to a love that is noble and loyal,
and perhaps one day, with my soul healed,
through sheer manliness, I’ll build a home.

Then, perhaps, I will have redeemed myself,
and you, by then, who knows what you are,
a piece of winter loaded with ills,
a remainder of life, a bit of cough.

La bruja by

La bruja is a Tango written by and composed by Juan Polito.

Story behind the Tango La bruja

The tango “La bruja” tells the emotionally charged story of a man who confronts the harsh realization of an ill-fated love affair. The lyrics convey a narrative of betrayal, disillusionment, and ultimate emancipation. The protagonist revisits a past relationship, acknowledging the bitterness and pain it has caused him. With a powerful mix of regret and resolve, he decides that everything is over between them, and he plans to return to a more honorable and sincere life, hoping for redemption and a new beginning.

Symbolism of La bruja

The tango brims with symbolism, particularly the metaphor of “La Bruja” (The Witch), which transforms from a revered enchantress to just an ordinary woman as the spell is broken. This imagery highlights the theme of unveiling illusions and acknowledging harsh truths. The use of language such as “cargao de rencor” (loaded with rancor) illustrates the burden of resentment the protagonist has carried. Key phrases like “me vuelvo a la vida sencilla y honrada” (I return to a simple and honest life) symbolize a return to genuine values and the pursuit of redemption. The contrast between being “esclavizado” (enslaved) and seeking freedom underscores the liberation from emotional bondage.

La bruja in historic Context

The tango was created in Buenos Aires, Argentina, in 1938, a period marked by sociopolitical change and the flourishing of tango as an expression of urban experience and emotion. Tango music of this era often dealt with themes of lost love, nostalgia, and existential reflection, mirroring the complexities of the rapidly modernizing Argentine society. The setting of Buenos Aires and the year 1938 provide a backdrop of cosmopolitan vibrancy mixed with personal turmoil, reflecting the tango’s exploration of both personal and societal transitions.

was an influential figure in the tango world, contributing significantly to its lyrical repertoire. Alongside composer Juan Polito, he created works that resonated with the emotional and cultural fabric of Argentina.