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Fondín de Pedro Mendoza

Fondín de Pedro Mendoza is a Tango written by Raúl de los Hoyos and recorded by Ricardo Tanturi in 1957. The Tango Fondín de Pedro Mendoza is written by Raúl de los Hoyos, Ricardo Tanturi has recorded Fondín de Pedro Mendoza with the singer Juan Carlos Godoy.
“Fondín de Pedro Mendoza,” translating to “Pedro Mendoza’s Little Inn,” evokes a cozy, intimate setting where the warmth of companionship envelops every corner. In this piece, the music conjures images of a dimly lit room filled with laughter and the clinking of glasses, a sanctuary from the city’s restless spirit. It serves as a lyrical tribute to the small joys that create lasting memories.

Tango

Style

Ricardo Tanturi

Orchestra

Juan Carlos Godoy

Singer

Luis César Amadori, Ivo Pelay

Author

Raúl de los Hoyos

Composer

1957/4/2

Date

Juan Carlos Godoy
Juan Carlos Godoy
Ricardo Tanturi
Ricardo Tanturi

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Lyrics Translation of the Tango Fondín de Pedro Mendoza

This is the translation of the Tango “Fondín de Pedro Mendoza” from Spanish to English. The English lyrics of the Tango “Fondín de Pedro Mendoza” have been done with AI.

Letra del Tango Fondín de Pedro Mendoza

Fondín de Pedro Mendoza
que sos el alma del puerto,
en cada mesa las copas
cuentan la historia de mi pasión.
La ronca voz de un borracho
le canta al alba su diana,
como en aquella mañana,
brumosa y fría, que te dejé.

Diez años son que una noche
borracho de odio y de vino,
quiso perderme el destino
y frente a frente me la encontré.
No pude más y vencido,
contra esa puerta yo la maté.

Y desde entonces ando rodando
sin fe, sin patria, sin esperanzas,
cambié de nombre, cambié de cara,
porque no pude no cambié el alma.
Y como entonces, serenamente,
miro tus líneas que me fascinan,
fondín del puerto, mi único amigo,
sos el testigo de mi dolor.

Recitado:
Fondín, aquí nació el amor,
que yo por culpa de un amor, perdí.

English lyrics of the Tango "Fondín de Pedro Mendoza"

Pedro Mendoza’s diner,
you are the soul of the port,
on every table the glasses
tell the story of my passion.
The hoarse voice of a drunk
sings to the dawn his serenade,
just like that morning,
misty and cold, when I left you.

Ten years since that night,
drunk with hate and wine,
fate wanted to defeat me
and face to face, I found her.
I could no longer resist and overcome,
against that door, I killed her.

And since then I’ve been wandering
without faith, without a homeland, without hope,
I changed my name, I changed my face,
because I couldn’t change my soul.
And like back then, calmly,
I admire your lines that fascinate me,
diner of the port, my only friend,
you are the witness of my pain.

Recited:
Diner, here love was born,
which I, because of a love, lost.

Fondín de Pedro Mendoza by Luis César Amadori, Ivo Pelay

Fondín de Pedro Mendoza is a Tango written by Luis César Amadori, Ivo Pelay and composed by Raúl de los Hoyos.



Story behind the Tango Fondín de Pedro Mendoza

The lyrics of “Fondín de Pedro Mendoza” narrate a dark and poignant story set in the backdrop of a local bar (fondín) in the port area. The narrative voice recounts the emotional pain of a past marked by love and tragedy. This person returns to the fondín, where memories of passion are as vivid as the stories told by the clinking glasses on each table. The turning point in the story is the confession of a murder driven by hatred and alcohol, which seems to have destroyed their life, leading to a wandering existence devoid of faith, homeland, and hope. The fondín, personified as the only true friend, stands as the sole witness to the narrator’s suffering.



Symbolism of Fondín de Pedro Mendoza

“Fondín de Pedro Mendoza” deeply utilizes the setting of a fondín, a modest bar or cafe, symbolizing a space of social and emotional refuge. These establishments often served as communal hubs where stories and lives unfolded. The recurrent imagery of “tables,” “glasses,” and the “drunk’s hoarse voice” symbolically reflect a collective memory and personal crisis. The line “because I could not change my soul” underscores an internal conflict, suggesting a soul stained by past actions, unchanged despite superficial alterations in identity and appearance.



Fondín de Pedro Mendoza in historic Context

The song was recorded in 1957, a period when traditional societal structures and values in Argentina, particularly in Buenos Aires, were undergoing changes. The fondín, located likely in the Buenos Aires port area, being referred to as the “soul of the port,” is representative not just of an area but of a cultural era. During the mid-20th century, these areas were melting pots of immigrant cultures, often synonymous with tales of love, loss, and redemption. Given the clarity and resonance of emotional turmoil against such a socio-cultural backdrop, the song likely touched the hearts of many who identified with feelings of displacement and the search for redemption.



Luis César Amadori, Ivo Pelay

Luis César Amadori and Ivo Pelay were prominent figures in Argentine theatre and cinema, known for their impactful contributions to the Argentine cultural scene through various artistic expressions, including tango lyrics.