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Guapo y querendón

Guapo y querendón is a Tango written by Ernesto de la Cruz and recorded by Juan D’Arienzo in 1954. The Tango Guapo y querendón is written by Ernesto de la Cruz, Juan D’Arienzo has recorded Guapo y querendón with the singer Armando Laborde.
The piece “Guapo y Querendón” translates to “Brave and Loving” in English. It captures the essence of a bold spirit that fearlessly waltzes through life’s tumultuous tango, embracing each step with vigor. In its melodies, we hear the heart’s yearning; a tender devotion intertwined with audacity, painting a portrait of passion and courage in perfect harmony.

Tango

Style

Juan D'Arienzo

Orchestra

Armando Laborde

Singer

Barreiros Bazán

Author

Ernesto de la Cruz

Composer

1954/11/2

Date

Armando Laborde
Armando Laborde
Juan D'Arienzo
Juan D’Arienzo

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Guapo y querendón recorded by other Orchestras

Guapo y querendón recorded by other Orchestras

1954/11/2 – Don Orlando – Juan D-Arienzo
1954/11/2 – Fatal y tanguera – Juan D-Arienzo
1954/11/2 – Tristeza criolla – Juan D-Arienzo
1954/11/2 – Dos guitas – Juan D-Arienzo
1954/11/2 – Muchachos arranquemos para el centro – Juan D-Arienzo
Guapo y querendon – 1955/7/1 – Juan D-Arienzo – Armando Laborde
Guapo y querendon – 1954/11/2 – Juan D-Arienzo – Armando Laborde

Lyrics Translation of the Tango Guapo y querendón

This is the translation of the Tango “Guapo y querendón” from Spanish to English. The English lyrics of the Tango “Guapo y querendón” have been done with AI.

Letra del Tango Guapo y querendón

El amor puede ponernos tristes

Llenar el alma de dolor y de amargura,

Pero el que quiera como yo quise

Jamás convierte en un rencor esa ternura.

Con su despecho me hirió la ingrata

Pero mi daga se detiene y no la mata,

Sufriendo vivo, pero al fin la he perdonado

El perdón que siempre ha dado

El que quiso de verdad.



Soy bien plantao para guapear ante un rival,

Yo sé pelear frente a un varón, como el mejor,

Pero jamás podré partir con mi puñal

Un corazón que yo adoré con tanto ardor.

Arrímese quien quiera ver lo que yo doy,

Si al verme así, me confundió con un cobarde,

Y verá que es mejor que Dios lo guarde

Antes que sea tarde y lo achure yo.



Recitado:

El varón debe mostrarse altivo,

Jugar la vida, por su amor, cuando haga falta,

Pero al perderla, no maldecirla

Ni arrodillarse a suplicar que no se vaya.



Ella conmigo fue siempre buena

Y ahora me deja, devorado por la pena,

Así es la vida y es la ley de los amores

Y es de buenos perdedores

En la contra, perdonar.

English lyrics of the Tango "Guapo y querendón"

Love can make us sad

Fill the soul with pain and bitterness,

But whoever loves as I did

Never turns that tenderness into resentment.

With her disdain, the ungrateful one wounded me

But my dagger stops and does not kill,

Suffering, I live, but in the end, I have forgiven her

The forgiveness that has always been given

By one who truly loved.



I am well-rooted to brave a rival,

I know how to fight a man, as best as any,

But I can never strike with my dagger

A heart that I adored with such fervor.

Come closer, those who want to see what I offer,

If seeing me like this, she mistook me for a coward,

They will see that it’s better God keeps her

Before it’s too late and I take action.



Spoken:

A man must appear proud,

Risk his life, for his love, when necessary,

But upon losing her, not curse her

Nor kneel to beg her not to leave.



She was always good to me

And now she leaves me, devoured by sorrow,

Such is life and the law of love

And it is of good losers

In adversity, to forgive.

Guapo y querendón by Barreiros Bazán

Guapo y querendón is a Tango written by Barreiros Bazán and composed by Ernesto de la Cruz.

Story behind the Tango Guapo y querendón

“Guapo y querendón” captures the essence of love’s complexities through its poignant lyrics. The tango reflects deep emotions, portraying both the pain and nobility in loving and forgiving unconditionally. The protagonist of the song experiences profound hurt due to unrequited love but chooses the path of forgiveness rather than resentment, emphasizing emotional maturation and the sincerity of his feelings.


Symbolism of Guapo y querendón

Symbolically, “Guapo y querendón” paints a picture of a person who is both brave (“guapo”) and loving (“querendón”), able to face his rivals but also pour immense love into his relationships. Phrases like “Yo sé pelear frente a un varón, como el mejor,” and “Un corazón que yo adoré con tanto ardor,” highlight the juxtaposition of strength and vulnerability which are central themes in tango culture. The knife, which could have been used to wound out of spite, instead becomes a symbol of restraint and forgiveness—choosing not to hurt the loved one despite the pain inflicted.


Guapo y querendón in historic Context

The tango was recorded in Argentina in 1954, a time when the country was undergoing significant political and social changes. The themes of honor and personal integrity reflect the societal values and expectations of men during this era, where showing strength and resilience in the face of emotional adversity was highly regarded. Tango, often a reflection of the Argentine soul, here acts as a narrative vehicle to explore these enduring values of love, loss, and personal fortitude.


Barreiros Bazán

Barreiros Bazán was an Argentine lyricist known for his contributions to tango music, capturing the spirit and culture of Argentina through his poignant and heartfelt lyrics.