Fabrice Knecht Tango DJ

Florcita criolla

Florcita criolla is a Vals written by Francisco Carlos Zingoni and recorded by Roberto Firpo in 1930. The Vals Florcita criolla is written by Francisco Carlos Zingoni, Roberto Firpo has recorded Florcita criolla with the singer Carlos Varela.
“Florcita Criolla,” translated as “Little Creole Flower,” is a vibrant tribute spun from cultural roots and heartfelt melodies. This piece evokes the tender resilience and blossoming spirit of a flower growing amidst life’s challenges, a nod to the enduring beauty found in tradition and heritage. Its notes dance with the essence of identity and the grace of simpler times.

Vals

Style

Roberto Firpo

Orchestra

Carlos Varela

Singer

Venancio Clauso

Author

Francisco Carlos Zingoni

Composer

1930/11/20

Date

Carlos Varela
Carlos Varela
Roberto Firpo
Roberto Firpo

Discover Other Orchestras

Nuevo Quinteto Real (Horacio Salgán) – El motivo (Pobre paica) – 1987/1/1
Nuevo Quinteto Real (Horacio Salgán) – Canaro en París – 1987/1/1
Nuevo Quinteto Real (Horacio Salgán) – Corralera – 1987/1/1
Nuevo Quinteto Real (Horacio Salgán) – El choclo – 1987/1/1
Nuevo Quinteto Real (Horacio Salgán) – La puñalada – 1987/1/1
Enrique Francini – Quedémonos aquí – 1956/12/20
Enrique Francini – Inspiración – 1956/1/19
Enrique Francini – Las rosas de mi madre – 1956/1/19
Enrique Francini – Tamborilera – 1956/7/27
Enrique Francini – Milonga con variación (Milonga con variaciones) – 1970/12/18
LOS SEÑORES DEL TANGO – Milonguero viejo – 1962/10/8
Enrique Rodríguez – Mira mi amor – 1971/5/17
Enrique Rodríguez – La vida siempre igual – 1970/12/11
Enrique Rodríguez – Motivo sentimental – 1944/6/16
Enrique Rodríguez – Zorro gris – 1946/3/22
Enrique Rodríguez – El fox de las gigoletes – 1967/7/10

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

1930/11/20 – Corazon de torero – Roberto Firpo
1930/11/20 – Cuando paso el amor – Roberto Firpo
1930/11/20 – La oracion del tango – Roberto Firpo
1930/11/25 – La serenata (Mi amor) – Orquesta Tipica Victor
1930/11/25 – Ojos lindos y mentirosos – Orquesta Tipica Victor

Lyrics Translation of the Vals Florcita criolla

This is the translation of the Vals “Florcita criolla” from Spanish to English. The English lyrics of the Vals “Florcita criolla” have been done with AI.

Letra del Vals Florcita criolla

Aquel “Jazmín del páis”, florcita criolla

De mi primer amor, testigo fue,

Cuántas veces a ella le oí

Con sus promesas locas de amor,

Y con suspiros de honda pasión

Decirme con fervor:



“Jamás te olvidaré, por Dios, lo juro

este “Jazmín del páis”, amigo mudo,

ruega, en anhelante idioma,

que siempre su aroma bendiga nuestro amor.”



Mujercita, que faltó sin pena a tanto juramento,

Y dio un sufrimiento, al corazón

Hoy este lamento de dolor.

Serás buena al pasar del tiempo, cuando viejecita,

Tendrás de mi recuerdo, un fiel perdón

Y el perfume de una flor.



Mujercita, que cubrió de rosa todos mis pesares,

Dejó en mi alma escrita, una oración,

Hirió sin sentimiento, mi pasión.

La flor criolla que cubrió de blanco todos mis cantares,

Quedó muy solitaria en un rincón

Perfumando mi dolor.



Aquel “Jazmín del páis”, florcita criolla

De mi jardín azul, adónde fue,

Qué viento su aroma llevó

Hermosa como yo la soñé,

Florecilla muy tierna de amor

El viento la llevó.



Por qué me abandonó, si yo la amaba

Lindo “Jazmín del páis”, florcita blanca,

Dame, la esencia de tu aroma

Que siempre sus efluvios, recuerden mi ilusión.

English lyrics of the Vals "Florcita criolla"

That “Jasmine of the homeland,” petite creole flower

Was a witness to my first love,

How many times I heard from her

With her wild promises of love,

And with sighs of deep passion

She fervently told me:

“I will never forget you, I swear to God,

this ‘Jasmine of the homeland,’ silent friend,

prays, in longing language,

that its scent forever blesses our love.”

Little woman, who broke so many vows without regret,

And brought suffering to the heart

Now this lament of pain.

You will be kinder over time, when you are old,

You will have from my memory, a faithful forgiveness

And the perfume of a flower.

Little woman, who covered all my sorrows with roses,

Left in my soul, a prayer,

Hurt my passion without feeling.

The creole flower that adorned all my songs with white,

Ended up very lonely in a corner

Perfuming my pain.

That “Jasmine of the homeland,” petite creole flower

From my blue garden, where did it go,

What wind carried its scent away

Beautiful as I dreamt it,

A tender little flower of love

The wind took it away.

Why did it leave me, if I loved it

Beautiful “Jasmine of the homeland,” white little flower,

Give me, the essence of your scent

That its effusions always remind me of my dream.

Florcita criolla by Venancio Clauso

Florcita criolla is a Tango written by Venancio Clauso and composed by Francisco Carlos Zingoni.



Story behind the Tango Florcita criolla

The lyrics of “Florcita criolla” depict a narrative of lost love and nostalgic remembrance. The “Florcita criolla” or “Creole little flower,” likely symbolizes a tender, cherished love that once blossomed but has since faded. The repeated references to “Jazmín del país,” a jasmine native to the region, underscore the theme of longing and the bittersweet nature of memories associated with first love. As the singer recalls the promises made under the scent of jasmine, the narrative unfolds a tale of betrayal and the enduring pain of unfulfilled love.



Symbolism of Florcita criolla

“Florcita criolla” and “Jazmín del país” are potent symbols in the song, representing purity, beauty, and native attachments that deeply resonate with the protagonist’s emotional journey. The jasmine, often associated with love and attachment in many cultures, here becomes a “mute friend,” emblematic of the silent witness to promises made and broken. This symbolism is enriched by the contrast between the enduring fragrance of jasmine and the transient nature of the protagonist’s romantic relationship.



Florcita criolla in historic Context

Recorded in 1930 in Argentina, “Florcita criolla” emerged during a period rich with artistic expression in the tango genre. The early 20th century in Argentina saw tango evolve from the margins of society to mainstream popularity. This song reflects the romantic and often melancholic themes prevalent in tango music of the time, mirroring societal sentiments of longing, love, and personal turmoil. The choice of jasmine, a common element in local folklore, situates the song firmly within its Argentine roots, appealing to a sense of national identity and local sentimentality.



Venancio Clauso

Very little is specifically known about Venancio Clauso’s life, but his work on “Florcita criolla” remains a testament to his ability to capture deep emotional and cultural undercurrents within the framework of tango music.