Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
El motivo (Pobre paica) is a Tango written by Pascual Contursi and composed by Juan Carlos Cobián.
The story told through “El motivo (Pobre paica)” is one of decline and sorrow. The lyrics share the experience of a woman who once was a celebrated figure in the nightlife of tango, known for her charm and beauty, the ‘queen of the feast’ at milongas. However, she has since fallen on hard times, forgotten and struggling with poverty and illness. The song deeply reflects on the transient nature of popularity and the solitude that can follow when the glamour fades.
The tango uses vivid imagery and symbolism to communicate its themes. Words like “florcita de fango” (little mudflower) symbolize how something beautiful can emerge from a poor or tainted environment, yet it is fragile and easily damaged. The use of the phrases such as “la más papa milonguera” suggests her past popularity and prowess in the tango scene, while her current neglect is painfully highlighted with, “no tiene pa’ ponerse ni zapatos ni vestidos,” illustrating her dire poverty. Such contrasts enhance the emotive power of the tango.
Historically, by the mid-1960s when “El motivo (Pobre paica)” was recorded, tango had undergone transformations and was facing both a revival and a reinvention of its identity within Argentine culture. This song reflects a nostalgic evocation of the golden age of tango, perhaps lamenting the socio-cultural changes impacting traditional art forms and communities. The vivid depiction of a former milonga star now destitute and sick reflects societal concerns about neglect and the impermanence of success.
Pascual Contursi is known for his contributions to tango lyrics, infusing them with a narrative quality that opened up new expressive possibilities in the genre. He lived during a period when tango was evolving from dance music to a form of poetic expression.