Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
El entrerriano is a Tango written by Homero Expósito and composed by Rosendo Mendizabal.
“El entrerriano” presents a narrative of pride and identity through the lens of a protagonist from Entre Ríos, Argentina. The lyrics delve into the character’s self-description as a skilled dancer and lover, proud of his provincial roots and milonguero (tango enthusiast) lifestyle. The tango expresses a deep connection between the dance and the emotional life of the dancer, suggesting that tango is not just a dance, but a living expression of emotion and cultural identity.
The song uses the dance of tango as a central metaphor, symbolizing life’s impassioned performance. Phrases like “como el querer voy metiéndome hasta el mango,” which translates to “like wanting, I get involved deeply,” depicts the dancer’s emotional investment in both his performance and his personal relationships. The repeated references to heart (“Todo corazón para el amor”) underscore the theme of love as an all-encompassing force, driving the rhythm and steps of life’s dance.
Recorded in 1952, “El entrerriano” reverberates with the post-war sentiment of reviving cultural identities and regional pride. Tango during this era was a powerful expression of Argentine identity, weaving together the complex histories of European and local influences. The reference to “Que el Entrerriano es el gotán” highlights the pride of place and regional identity, placing the character from Entre Ríos at the heart of tango culture, challenging more cosmopolitan notions of tango tied solely to Buenos Aires.
Homero Expósito was a renowned Argentine lyricist and poet, primarily known for his significant contributions to the genre of Tango music.