Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Como dos extraños is a Tango written by José María Contursi and composed by Pedro Laurenz.
The lyrics of “Como dos extraños” focus on a poignant theme of reunion and estrangement. The narrator confronts an old love, only to find that the passage of time has morphed them into strangers, shedding light on the painful realization that what once was, is no more. The central emotions are those of regret, sorrow, and a profound sense of loss, as the narrator reflects on the love they once shared and the disconnection they now endure.
The tango uses vivid imagery to deepen the emotional impact. Phrases like “Me acobardó la soledad” (“Solitude frightened me”) and “Palideció la luz del sol” (“The sunlight paled”) symbolize the narrator’s internal desolation and the stark change in their circumstances. The chilling interaction, described as “fríamente conversar” (“coldly conversing”), contrasts sharply with the warmth that once existed between the lovers. The repeated referential to “lo que terminó” underscores the finality of their severed connection.
The tango was recorded in 1961, a dynamic period in Argentina marked by social and political changes. During this time, themes of disillusionment and nostalgia were prevalent in Argentine culture, reflecting a society grappling with rapid modernization and the loss of old ways. “Como dos extraños” captures this sentiment by exploring the theme of time’s irreversible changes and the loss of past intimacies in personal relationships, mirroring broader societal sentiments.
José María Contursi was a prolific Argentine lyricist known for his deep, emotional tango lyrics that often touched on themes of love and loss.