Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Che, negrito is a Tango written by Carlos Del Pueblo and composed by Roberto Marcos Pedretti.
Carlos Del Pueblo’s “Che, negrito” humorously captures the ambitious yet slightly farcical dreams of a common man aspiring to excel in sports, specifically golf. Through clever language and vivid imagery, the song tells a story of an average individual, referred to affectionately yet sarcastically as “Che, negrito,” who dreams big but perhaps lacks the requisite skills. The lyrics unfold a light-hearted scolding or teasing from a friend or perhaps the larger community, urging the character to embrace realism and recognize their own limitations within the societal structure of mid-20th century Argentina.
The song uses playful language to emphasize the clash between aspiration and reality. Phrases like “pituquito” mockingly describe someone pretending to be more polished or refined than they are, suggesting a deeper comment on social pretensions. The metaphor of golf, with elements like “el palito” (the golf club) being “muy pesao” (too heavy) and the ball likened to a “melón” (melon) for someone of limited means, symbolizes the often unbridgeable gap between desires and abilities. This symbolism extends to using mock English, highlighting cultural pretension and the sometimes absurd lengths people go to in order to appear sophisticated or cosmopolitan.
Created in 1953, “Che, negrito” emerges from a period in Argentina marked by social and political changes, from the rise of Peronism to evolving class dynamics. This era saw a significant focus on the identity and rights of the working class and the marginalized – themes subtly reflected in the song through its light-hearted critique of social upward mobility. The lyrics not only showcase personal aspirations but also comment on the broader societal obsession with status and the mimicry of European or North American cultural markers, as seen in the adoption of English phrases.
Carlos Del Pueblo was a notable lyricist in the Argentine Tango scene, celebrated for his ability to weave humor and depth into everyday stories.