Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Cualquier cosa is a Tango written by Herminia Velich and composed by Herminia Velich.
“Cualquier cosa,” which translates to “Anything” in English, addresses the profound sense of betrayal and disillusionment experienced by an individual whose love was not only unreciprocated, but also exploited for ulterior motives. The lyrics explore the theme of deception in a relationship, where one’s earnest love was met with the partner’s duplicity, revealing a stark contrast between genuine affection and calculated manipulation.
The symbolism in “Cualquier cosa” is rich and poignant. The “divinos ojos verdes,” symbolizing a blend of sea and sky, represent a façade of depth and beauty that ultimately causes heartache. These eyes, initially perceived as enchanting, are later revealed as sources of betrayal. Similarly, the phrase “flor de cerco,” suggests something beautiful but ultimately common and defensive, a stark departure from the unique and open affection once believed to exist. This imagery effectively deepens the emotional impact of the narrative, illustrating disillusionment and lost innocence.
The year 1965 was a period of significant cultural and political turbulence in Argentina, marked by social unrest and the re-emergence of stringent government policies. In this context, “Cualquier cosa” can be seen as reflecting a broader theme of disillusionment not just in personal relationships, but potentially in political or social trust. Tango often mirrors the sentiments of its time, and this piece may subtly echo the feelings of disenchantment prevalent among the Argentinians during this era.
Herminia Velich was a notable figure in the realm of Tango, recognized for her emotive and poignant compositions that often delve deep into themes of love, betrayal, and the human condition.