Fabrice Knecht Tango DJ
Style
Orchestra
Singer
Author
Composer
Date
These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Cara rota is a Tango written by Julio Falcón and composed by Julio Falcón.
The lyrics of “Cara rota” vividly portray the image of a deceitful and freeloading individual, colloquially referred to as a “jirafa” (giraffe) suggesting a person who stands out or perhaps looks over others. The primary themes revolve around criticism and social commentary regarding the character’s behavior of exploiting others’ generosity without contributing. The narrator expresses frustration and calls out the character for always managing to eat without paying and showing up uninvited to various social gatherings.
The phrase “Cara rota,” which translates to “Broken Face” or more loosely to “shameless” in English, symbolizes brazenness and the audacity of the character’s actions. The repeated lines emphasize the character’s consistent behavior of avoiding expenses and leeching off others – a critique of those exploiting social norms for personal gain. The use of terms like “garronero” (moocher) and references to never missing a meal pinpoint societal disdain toward manipulation and the avoidance of reciprocity.
Recorded in 1933, “Cara rota” emerged during a period of significant cultural development in Argentina where Tango was not only a dance but also a medium for storytelling and social commentary. The early 1930s in Argentina were marked by economic and political instability, which might have heightened societal awareness around issues of fairness and community support, making the Tango’s themes particularly relevant and poignant during this time.
Julio Falcón was a recognized figure in the tango scene, known for his contributions both as a lyricist and composer.