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Mocito guapo

Mocito guapo is a Tango written by Saverio De Rosas and recorded by Orquesta Típica Victor in 1929. The Tango Mocito guapo is written by Saverio De Rosas, Orquesta Típica Victor has recorded Mocito guapo with the singer Roberto Díaz.
“Mocito guapo,” which translates to “Handsome Young Man,” echoes with the charm and allure of youth. This piece, whether sung or played, captures the essence of wistful glances and fleeting romances, dancing through the streets of a vibrant city. Embracing elegance and spirited vigor, it tells a tale of fleeting beauty and the timeless allure of youthful grace.

Tango

Style

Orquesta Típica Victor

Orchestra

Roberto Díaz

Singer

Juan Feliú

Author

Saverio De Rosas

Composer

1929/11/26

Date

Roberto Díaz
Roberto Díaz
Orquesta Típica Victor
Orquesta Típica Victor

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Francisco Canaro – En la pampa – 1915/1/1
Horacio Salgán Y Dante Amicarelli – Juego de damas – 1971/1/1
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Horacio Salgán Y Dante Amicarelli – Pimienta – 1971/1/1
Horacio Salgán Y Dante Amicarelli – Fuegos artificiales – 1970/1/1
Horacio Salgán Y Dante Amicarelli – Chiclana – 1971/1/1
Roberto Firpo – Chiquita y bonita (2) – 1928/9/13
Roberto Firpo – Fuegos artificiales – 1927/1/1
Roberto Firpo – Canto de amor (3) – 1929/7/22
Roberto Firpo – Un loco metejón – 1930/9/25
Roberto Firpo – El amanecer – 1928/5/31
José Basso – Amor y Tango – 1986/1/1
José Basso – Re fa si – 1955/9/16
José Basso – De diez
siete – 1964/1/1
José Basso – La cumparsita – 1961/4/28
José Basso – Viejo café – 1963/1/1

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

1929/11/26 – Flor de placer – Orquesta Tipica Victor
1929/11/26 – Minusa – Orquesta Tipica Victor
1929/11/26 – Noche de luna (2) – Orquesta Tipica Victor
1929/11/26 – Una noche en la calle – Orquesta Tipica Victor
1929/11/28 – Medallita de los pobres (Virgencita de Pompeya) – Roberto Firpo

Lyrics Translation of the Tango Mocito guapo

This is the translation of the Tango “Mocito guapo” from Spanish to English. The English lyrics of the Tango “Mocito guapo” have been done with AI.

Letra del Tango Mocito guapo

Hay en mi barrio un mocito cantor,

Guapo, tenor y bacán,

Tiene gran chance como aspirador,

Quiere ser rey del “gotán”.

En la milonga no hay pibe mejor,

Más de una paica por él,

Abandonó su hogar y nunca más volvió

A ser lo que ella fue.



Mocito guapo y milonguero,

Bacán, suertudo y ligador,

Todas las minas se meten contigo

Sos un rana pa´ eso del amor.

Con ese “jetra” y esa carucha

Hacés suceso al milonguear,

Y las pebetas sueñan con un novio

De tu figura, pa´ chamuyar.



Hoy, solo, pobre de plata y amor

Llora en la noche el dolor,

De no poder jamás

Ser el que antes fue,

Guapo, mocito y ligador.

English lyrics of the Tango "Mocito guapo"

In my neighborhood, there’s a young singing fellow,
Handsome, a tenor, and a top man,
He’s got a great shot at success,
Wants to be the king of tango.

At the dance, there’s no better guy,
More than one girl has fallen for him,
He left his home and never came back
To be what she once was.

Handsome young man and dancer,
Cool, lucky, and a charmer,
All the girls get involved with you
You’re a pro at this game of love.

With that expression and that face
You make a splash when you dance,
And the young girls dream of a boyfriend
With your looks, to chat up.

Today, alone, poor in money and love
He cries in the night the pain,
Of never being able
To be who he once was,
Handsome, young, and a charmer.

Mocito guapo by Juan Feliú

Mocito guapo is a Tango written by Juan Feliú and composed by Saverio De Rosas.



Story behind the Tango Mocito guapo

“Mocito guapo” tells the tale of a young man from the neighborhood, admired for his singing, charm, and modern aspirations. This dashing young tenor, popular in the local dance halls (milongas), dreams of becoming a king of tango (arguably, “rey del gotán” is a playful transformation of “tango”). As his reputation grows, he attracts the affection of many, but his pursuit of fame leads him to forsake his roots, invoking a sense of loss.



Symbolism of Mocito guapo

The lyrics use vivid imagery and local slang to paint a picture of the young man’s journey. Phrases like “Mocito guapo y milonguero” (handsome and dance-loving young man) and “bacán, suertudo y ligador” (stylish, lucky in games and love) symbolize the allure of youthful exuberance and the societal admiration for superficial success. However, the narrative arc from glory to despair, encapsulated in the transition from admired suitor to a lonely figure bereft of love and wealth, serves as a cautionary tale about the volatility of such a lifestyle.



Mocito guapo in historic Context

Created in 1929 in Argentina, this tango emerges during a vibrant yet tumultuous period in Buenos Aires’ history, where tango culture played a crucial role in everyday life. This era, filled with economic fluctuations and rapid societal changes, witnessed the transformation of tango from the fringes to mainstream popularity. The poignant tale of “Mocito guapo” reflects the disillusionment faced by those who chased fleeting success during such uncertain times, illustrating the personal costs associated with rapid social and economic shifts.



Juan Feliú

Juan Feliú was an Argentine lyricist known for his contributions to the tango genre, capturing the essence of Buenos Aires’ urban landscape and its characters through his works.