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Araca París

Araca París is a Tango written by Ramón Collazo and recorded by Carlos Gardel in 1930. The Tango Araca París is written by Ramón Collazo, Carlos Gardel has recorded Araca París with the singer Guit. Guillermo Barbieri, José María Aguilar, Ángel Domingo Riverol.
“Araca París” translates to “Watch Out, Paris” in English, a warning wrapped in enchantment. It evokes a city of dreams and allure, where glamour dances with the shadows of mystery. The phrase suggests a love-hate relationship with the city, a chaotic embrace, urging caution while celebrating the irresistible pull of Parisian charm.

Tango

Style

Carlos Gardel

Orchestra

Guit. Guillermo Barbieri, José María Aguilar, Ángel Domingo Riverol

Singer

Carlos Lenzi

Author

Ramón Collazo

Composer

1930/11/4

Date

Guit. Guillermo Barbieri, José María Aguilar, Ángel Domingo Riverol
Guit. Guillermo Barbieri, José María Aguilar, Ángel Domingo Riverol
Carlos Gardel
Carlos Gardel

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Araca París recorded by other Orchestras

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Lyrics Translation of the Tango Araca París

This is the translation of the Tango “Araca París” from Spanish to English. The English lyrics of the Tango “Araca París” have been done with AI.

Letra del Tango Araca París

Pianté de Puente Alsina para Montmartre,

que todos me batían, pa m’engrupir:

‘Tenés la pinta criolla p’acomodarte

con la franchuta vieja que va al dancing…

¿Qué hacés en Buenos Aires? ¡No seas otario!

Amurá esas milongas del Tabarís…

Con tres cortes de tango sos millonario…

¡Morocho y argentino! ¡Rey de París!’



¡Araca París!

¡Salute París!

Rajá de Montmartre,

piantate, infeliz.

Si vas a París

no vas a morfar:

no hay minas otarias

y hay que laburar.

Volvete p’al barrio

y tendrás milongas;

milongas diqueras

que saben amar.

¡Araca París!

¡Salute París!

Rajá de Montmartre;

piantate, infeliz.



Agarré tren de lujo, loco’e contento:

—bon soir, petite je t’aime, tu es mon cocó—

con una gorda tuerta con mucho vento

que no me dio ni medio y me amuró…

Tiré la bronca y, guapo, por darme corte,

un tortazo en la ñata se le incrustó:

comisaría, jueces y un pasaporte …

y terminó mi historia de gigoló.

English lyrics of the Tango "Araca París"

From Puente Alsina to Montmartre, they all told me, thinking they could fool me:
“You’ve got the local look to match up with the old French lady at the dance…
Why stay in Buenos Aires? Don’t be a fool!
Forget those tango tunes from Tabarís…
With three tango moves, you’re a millionaire…
Dark-haired and Argentine! King of Paris!”

Beware Paris!
Cheers to Paris!
Flee from Montmartre,
run away, poor soul.
If you go to Paris
you won’t have a bite:
no foolish girls there
and you’ve got to work.
Return to the neighborhood
and you’ll have tangos;
classy tangos
that know how to love.
Beware Paris!
Cheers to Paris!
Flee from Montmartre;
run away, poor soul.

I took a luxury train, wildly happy:
—bon soir, petite, I love you, you’re my darling—
with a wealthy, one-eyed, large woman
who didn’t even give me half and tied me down…
I lost my temper, and to make a show,
landed a slap right on her nose:
police station, judges, and a passport…
and that was the end of my gigolo tale.

Araca París by Carlos Lenzi

Araca París is a Tango written by Carlos Lenzi and composed by Ramón Collazo.



Story behind the Tango Araca París

“Araca París” narrates a tale of disillusionment felt by an Argentine man who moves to Paris, seeking fortune and a better life. In the lyrics, he is advised to capitalize on his exotic appeal in Paris, suggesting that his Argentine traits would make him a sensation. However, the reality he faces is starkly different, leading to frustration and ultimate realization of the value of his roots.



Symbolism of Araca París

The tango employs phrases such as ‘Amurá esas milongas del Tabarís’ and ‘Con tres cortes de tango sos millonario’ to symbolize the naive perceptions and the allure of easy success abroad. ‘Rajá de Montmartre, piantate, infeliz’ becomes a recurring chant, urging the protagonist to abandon Paris and return home, emphasizing a sense of failure and the harsh realities of immigrant life. Araca, translating roughly to ‘Beware’ or ‘Be on guard’ in English, and often used colloquially in Uruguay and Argentina to express alert or caution, suggests a warning about the over-glamorized perceptions of life in Paris.



Araca París in historic Context

The year 1930 was pivotal for the world, with the Great Depression beginning to take its toll, influencing migration and the disillusionment experienced by immigrants. Paris, often idolized as a city of love and opportunity, is portrayed here as a place of hardship for those chasing dreams of wealth and glamour. This tango captures the essence of migrant woes and the eventual homesickness, along with the cultural shock of living abroad.



Carlos Lenzi

Carlos Lenzi was a notable lyricist in the realm of Argentine tango, renowned for his poignant and impactful lyricism.