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Aleluya (3)

Aleluya (3) is a Marcha written by and recorded by Edgardo Donato in 1935. The Marcha Aleluya (3) is written by , Edgardo Donato has recorded Aleluya (3) with the singer Juan Alessio.
“Aleluya (3)” translates to “Hallelujah (3)” in English. The repetition in its title signifies a deep reverence, echoing a triumphant and soulful celebration. It’s a melodic embrace of joy and gratitude, where each note becomes a prayer, lifting spirits and hearts to dance in harmony with the divine rhythm of life.

Marcha

Style

Edgardo Donato

Orchestra

Juan Alessio

Singer

Author

Composer

1935/8/9

Date

Juan Alessio
Juan Alessio
Edgardo Donato
Edgardo Donato

Discover Other Orchestras

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Carlos Gardel – El tatuaje – 1926/1/1
Carlos Gardel – Pasan las horas – 1925/1/1
Carlos Gardel – Hacete tonadillera – 1923/1/1
Carlos Gardel – Anoche a las dos – 1930/10/17
Juan D’Arienzo – Solo un renglon – 1965/9/27
Juan D’Arienzo – Virgen de la serrania – 1966/11/17
Juan D’Arienzo – Don Juan Mondiola – 1950/9/28
Juan D’Arienzo – Ya lo ves – 1955/6/10
Juan D’Arienzo – Prefiero perderte – 1961/12/20
Osvaldo Fresedo – El barrio murmura – 1928/2/28
Osvaldo Fresedo – Julián – 1945/11/19
Osvaldo Fresedo – Amor (2) – 1938/9/8
Osvaldo Fresedo – Coqueta – 1927/7/20
Osvaldo Fresedo – Corazoncito (Ñafa) – 1928/5/19
Adolfo Carabelli – Pa’ que lagrimear – 1933/9/12
Adolfo Carabelli – Sentado en un tanque – 1932/9/7
Adolfo Carabelli – Por dónde andará – 1932/5/24
Adolfo Carabelli – Canta guitarra – 1931/1/1
Adolfo Carabelli – Florida de 6 a 8 – 1934/4/25

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

1935/8/9 – Lejana tierra mia – Edgardo Donato
1935/8/7 – De segunda mano – Osvaldo Fresedo
1935/8/7 – Senorita Carmencita – Osvaldo Fresedo
1935/7/31 – Curro en el oro – Roberto Firpo
1935/7/31 – El encuentro – Roberto Firpo

Lyrics Translation of the Marcha Aleluya (3)

This is the translation of the Marcha “Aleluya (3)” from Spanish to English. The English lyrics of the Marcha “Aleluya (3)” have been done with AI.

Aleluya (3) recorded by Edgardo Donato


Aleluya (3) is an instrumental Tango composed by .



Interpretation of Aleluya (3)

“Aleluya” translates to “Hallelujah” in English, a term often associated with praise and celebration. When interpreted as an instrumental piece performed by Edgardo Donato’s tango orchestra, it might evoke a sense of joyful exuberance, capturing the lively and passionate essence of tango. The “3” could suggest a unique version or arrangement of the original piece, perhaps introducing distinct rhythms or harmonies that set it apart.



Edgardo Donato and Aleluya (3)

Taking into account the energetic and emotive nature typical of Donato’s orchestra, “Aleluya (3)” could feature dynamic interplay among bandoneons, violins, and piano. The composition likely utilizes dramatic pauses and crescendos to create tension and release, leading the listener through a vivid musical narrative. As a work composed in 1935, it captures the spirit of an era where tango was intertwined deeply with the cultural tapestry and social life of Buenos Aires.