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Adiós muchachos

Adiós muchachos is a Tango written by Julio César Sanders and recorded by Roberto Firpo in 1927. Roberto Firpo has recorded Adiós muchachos as an instrumental Tango.
“Adiós Muchachos,” which translates to “Goodbye, Boys,” carries a profound sense of farewell intertwined with nostalgia and longing. The music or lyrics evoke the bittersweet parting of friends, moments spent together now dissolving into memory. It’s a poignant reminder that while time may separate us, the bonds of camaraderie endure in the melody of our hearts.

Tango

Style

Roberto Firpo

Orchestra

Instrumental

Singer

César Vedani

Author

Julio César Sanders

Composer

1927/12/11

Date

Instrumental
Instrumental
Roberto Firpo
Roberto Firpo

Discover Other Orchestras

Orquesta Típica Victor – La muchacha del circo – 1928/5/4
Orquesta Típica Victor – Ay Maricruz – 1937/3/30
Orquesta Típica Victor – Yo busco un amor – 1933/5/9
Orquesta Típica Victor – Linda – 1926/12/1
Orquesta Típica Victor – Tigre viejo (2) – 1926/12/6
Ricardo Tanturi – Sombras – 1946/8/27
Ricardo Tanturi – A la luz del candil – 1937/6/23
Ricardo Tanturi – Así se baila el tango – 1942/12/4
Ricardo Tanturi – Adiós pueblo – 1941/8/14
Ricardo Tanturi – Qué bien te queda (Cómo has cambiado) – 1943/10/5
Juan D’Arienzo – Rawson – 1947/8/8
Juan D’Arienzo – El látigo – 1970/10/29
Juan D’Arienzo – Un alma buena – 1952/11/12
Juan D’Arienzo – Desde el alma – 2015/1/1
Juan D’Arienzo – Vas muerto en la parada – 1953/9/18
Miguel Caló – Antes del adios – 1965/1/1
Miguel Caló – Café para dos – 1956/10/19
Miguel Caló – Igual que una sombra – 1945/1/19
Miguel Caló – El vals soñador – 1942/4/29
Miguel Caló – Jamás retornarás – 1942/10/9

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

Adiós muchachos recorded by other Orchestras

Adiós muchachos recorded by other Orchestras

1927/12/11 – Inglesita – Roberto Firpo
1927/12/12 – Amor ciego – Orquesta Tipica Victor
1927/12/12 – Historia maleva – Orquesta Tipica Victor
1927/12/6 – Ensueno – Orquesta Tipica Victor
1927/12/6 – Mala yerba (2) – Orquesta Tipica Victor
Adios muchachos – 1952/12/18 – Osvaldo Fresedo – Instrumental
Adios muchachos – 1956/1/1 – Osvaldo Fresedo – Instrumental
Adios muchachos – 1950/5/19 – Alfredo De Angelis – Julio Martel
Adios muchachos – 1945/4/27 – Enrique Rodriguez – Armando Moreno
Adios muchachos – 1961/5/12 – Jose Basso – Instrumental
Adios muchachos – 1983/1/1 – Jose Basso –
Adios muchachos – 1959/10/2 – Florindo Sassone – Andres Peiro
Adios muchachos – 1951/11/21 – Florindo Sassone – Rodolfo Gale
Adios muchachos – 1968/5/24 – Florindo Sassone – Instrumental
Adios muchachos – 1927/12/11 – Roberto Firpo – Instrumental
Adios muchachos – 1987/1/1 – Nuevo Quinteto Real (Horacio Salgan) – Instrumental
Adios muchachos – 1964/1/1 – Quinteto Real (Horacio Salgan) – Instrumental
Adios muchachos – 1927/10/14 – Orquesta Tipica Victor – Instrumental

Letra del Tango Adiós muchachos

Adiós, muchachos, compañeros de mi vida,

barra querida de aquellos tiempos.

Me toca a mí hoy emprender la retirada,

debo alejarme de mi buena muchachada.

Adiós, muchachos. Ya me voy y me resigno…

Contra el destino nadie la talla…

Se terminaron para mí todas las farras,

mi cuerpo enfermo no resiste más…



Acuden a mi mente

recuerdos de otros tiempos,

de los bellos momentos

que antaño disfruté

cerquita de mi madre,

santa viejita,

y de mi noviecita

que tanto idolatré…

¿Se acuerdan que era hermosa,

más bella que una diosa

y que ebrio yo de amor,

le di mi corazón,

mas el Señor, celoso

de sus encantos,

hundiéndome en el llanto

me la llevó?



Es Dios el juez supremo.

No hay quien se le resista.

Ya estoy acostumbrado

su ley a respetar,

pues mi vida deshizo

con sus mandatos

al robarme a mi madre

y a mi novia también.

Dos lágrimas sinceras

derramo en mi partida

por la barra querida

que nunca me olvidó

y al darles, mis amigos,

mi adiós postrero,

les doy con toda mi alma

mi bendición…

English lyrics of the Tango "Adiós muchachos"

Goodbye, boys, companions of my life,

Beloved gang from those times.

Today it’s my turn to make my departure,

I must leave my cherished young friends.

Goodbye, boys. I’m leaving and I resign myself…

Against fate, no one can stand…

All the revelries are over for me,

my sick body can’t take anymore…

Memories of other times

come flooding back,

of the lovely moments

I once enjoyed

close to my mother,

holy little old lady,

and my sweet girlfriend

whom I so adored…

Do you remember, she was beautiful,

more heavenly than a goddess,

and I, drunk with love,

gave her my heart,

but the Lord, jealous

of her charms,

plunging me into tears,

took her away?

God is the supreme judge.

No one can resist him.

I am used to

respecting his law,

for he shattered my life

with his decrees

by taking away both my mother

and my girlfriend.

I shed two sincere tears

as I leave

for the beloved gang

that never forgot me

and as I give you, my friends,

my final farewell,

I give you all my soul

with my blessing…

Adiós muchachos by César Vedani

Adiós muchachos is a Tango written by César Vedani and composed by Julio César Sanders.



Story behind the Tango Adiós muchachos

‘Adiós muchachos’ is a poignant farewell address from a narrator who feels that his time with friends and loved ones is coming to an end due to his deteriorating health. The lyrics paint a picture of a man reflecting on his youth, the joys shared with his close company, and the emotional trials he has endured, including the loss of his beloved and his mother. As he bids farewell, he embraces resignation, acknowledging the inevitable hand of destiny and the harsh trials imposed by God’s will.



Symbolism of Adiós muchachos

The phrase ‘Adiós muchachos’ translates to ‘Goodbye, boys’ in English, carrying a heavy sense of finality and seclusion. The symbolism throughout the tango revolves around life’s ephemerality and the relentlessness of fate. The ‘buenas muchachadas’ (good gang) represents the joyful comradeship of past, now a memory as the narrator faces solitude. The divine figure in the tango symbolizes an almighty force shaping the narrator’s destiny, seen through the repeated losses (the death of his mother and beloved), illustrating themes of submission and divine preeminence in human affairs.



Adiós muchachos in historic Context

The Tango, written and recorded in Argentina in 1927, emerged during a period marked by significant socio-political changes in the country. This was a time encompassing the rise of the tango as a global phenomenon, reflecting both the modernization of Argentine culture and the nostalgia for simpler, bygone eras. The narrative of separation and resignation in ‘Adiós muchachos’ could mirror the broader societal experience of displacement and transition, as many Argentinians during this period were grappling with rapid urbanization and its accompanying social changes.



César Vedani

César Vedani, the lyricist for ‘Adiós muchachos’, is remembered primarily for this poignant piece that has been emblematic of the tango genre’s expressive depth.