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La muchacha del circo

La muchacha del circo is a Tango written by Gerardo Matos Rodríguez and recorded by Orquesta Típica Victor in 1928. Orquesta Típica Victor has recorded La muchacha del circo as an instrumental Tango.
“La muchacha del circo,” meaning “The Girl from the Circus,” is a poignant tango that captures the bittersweet elegance of the young performer. Her eyes hold the secrets of a world where laughter dances with sorrow, and beneath the bright lights, she weaves tales of dreams and heartache. The melody echoes her graceful resilience, enchanting all who dare to listen.

Tango

Style

Orquesta Típica Victor

Orchestra

Instrumental

Singer

Manuel Romero

Author

Gerardo Matos Rodríguez

Composer

1928/5/4

Date

Instrumental
Instrumental
Orquesta Típica Victor
Orquesta Típica Victor

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La muchacha del circo recorded by other Orchestras

La muchacha del circo recorded by other Orchestras

Letra del Tango La muchacha del circo

Yo soy la muchacha del circo,

por una moneda yo doy

un poco de humilde belleza,

un poco de tibia emoción.

Yo soy la muchacha del circo,

por esos caminos yo voy

ceñida en mi malla de seda

repartiendo a todos

flores de ilusión.



Colgada del frágil trapecio,

su cuerpo elegante parece al saltar

una paloma blanca que al cielo

con ansias locas quisiera llegar.

Mientras la gente

Emocionada

contempla inquieta su salto mortal,

bajo la lona

del viejo circo

un frío de muerte se siente cruzar.



Ahí va la muchacha del circo,

no encuentra consuelo ni amor,

regala a los otros la dicha

y sufre miseria y dolor.

Por fin una noche la mano,

cansada, el trapecio aflojó

y… ¡pobre muchacha del circo!

buscando un aplauso,

la muerte encontró.

English lyrics of the Tango "La muchacha del circo"

I am the circus girl,
for a coin I give
a bit of humble beauty,
a bit of warm thrill.

I am the circus girl,
along these paths I travel
clad in my silk tights
dispensing to all
flowers of illusion.

Hanging from the fragile trapeze,
her elegant body seems to leap
like a white dove that to the sky
with wild yearning wishes to soar.
While the crowd,
excited,
watches anxiously her deadly jump,
under the canvas
of the old circus
a deathly chill is felt passing through.

There goes the circus girl,
she finds neither solace nor love,
she gives others happiness
and suffers misery and pain.
At last one night her hand,
tired, loosened the trapeze
and… poor circus girl!
seeking applause,
found death instead.

La muchacha del circo by Manuel Romero

La muchacha del circo is a Tango written by Manuel Romero and composed by Gerardo Matos Rodríguez.



Story behind the Tango La muchacha del circo

The song “La muchacha del circo” poetically narrates the life and tragic fate of a young circus performer. The lyrics describe her as a girl who sells snippets of joy and beauty for a mere coin, yet behind the spectacle, she harbors deep personal suffering. The climax tragically follows the theme of inevitable desolation when her fatigue causes a fatal accident on the trapeze, highlighting both her vulnerability and the ephemeral nature of public adulation.



Symbolism of La muchacha del circo

Key phrases in the song enrich its symbolism. The “malla de seda” (silk mesh) she wears symbolizes the fragile veil between her public persona and her private pain. The reference to her as “una paloma blanca” (a white dove) underscores innocence and the desire to ascend beyond her sordid reality, suggestively reaching toward heaven. The “salto mortal” (literally deadly jump), a term for the trapeze act, is explicitly symbolic of the risks and existential leaps she endures daily. Finally, “buscando un aplauso” (seeking applause) captures her ongoing quest for validation, met with a stark conclusion.



La muchacha del circo in historic Context

The year 1928 marks a vibrant yet complex period in Argentina’s history, characterized by rapid cultural evolution amidst growing social strife. “La muchacha del circo” reflects the broader themes of vulnerability and exploitation experienced by performers, especially in circuses, which were perceived as spaces of joy yet often hid the grim realities faced by its entertainers. This backdrop enhances the song’s poignancy, framing the circus girl’s plight within a society celebrating progress while glossing over its human costs.



Manuel Romero

Manuel Romero was a prolific Argentine playwright and filmmaker, known for his deep engagement with the social issues of his time. His works often highlighted the marginalized voices in society.