Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Amanece is a Tango written by Federico Silva and composed by Armando Pontier.
The Tango “Amanece” explores a complex intertwining of unity and separation experienced in a single, seemingly eternal night. With powerful imagery about time, memory, and the essences of moments, Silva encapsulates a deep emotional connection that spans from sunset to sunrise. This narrative is not just about love, but also about the lasting memories that love creates, even when that love might be fleeting or nearing its end.
“Amanece” itself means “it dawns” in English, symbolizing new beginnings and the end of darkness, reflecting the dual themes of hope and closure within the narrative. Silva uses the night as a canvas, illustrating a journey from darkness into the early light, which both separates and bonds the lovers. Phrases like “Una noche fue nuestra enteramente” (One night was entirely ours) and “beso a beso” (kiss by kiss) highlight the intimate and finite nature of the moments they share. The admonition, “¡No! No mires el reloj que ya no hay tiempo” (Don’t look at the clock, there is no more time), anchors the song in a profound urgency to live in the present, casting aside the inevitable passing of time.
Recorded in December 1968 in Argentina, a period marked by social and political unrest, “Amanece” subtly echoes the broader desire for seizing the moment amid uncertainty. The late 60s in Argentina, close to the onset of a repressive era, saw individuals clinging to personal freedoms and emotional expressions as counterpoints to external pressures. The tango, with its melancholic undertone and emphasis on individual emotional experiences, served as both escape and commentary.
Federico Silva was a distinguished poet and lyricist in the Argentine Tango scene, known for his profound and evocative texts.