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Zorzal

Zorzal is a Milonga written by Dorita Zárate and recorded by José Garcia in 1942. The Milonga Zorzal is written by Dorita Zárate, José Garcia has recorded Zorzal with the singer Alfredo Rojas.
“Zorzal,” which translates to “Thrush” in English, evokes the melody of nature’s own singer. This piece of music, akin to the bird’s song, weaves a tapestry of nostalgia, beckoning the listener to cherish fleeting moments of beauty. Its notes dance and flutter, much like the joyful thrush, leaving an imprint on the soul with every graceful pause.

Milonga

Style

José Garcia

Orchestra

Alfredo Rojas

Singer

Dorita Zárate

Author

Dorita Zárate

Composer

1942/10/27

Date

Alfredo Rojas
Alfredo Rojas
José Garcia
José Garcia

Discover Other Orchestras

Ricardo Malerba – Mi taza de café – 1943/11/8
Ricardo Malerba – Triste revelacion – 1944/6/30
Ricardo Malerba – San Martin campeón – 1957/1/7
Ricardo Malerba – Taruchito – 1957/1/7
Ricardo Malerba – Charamusca – 1943/8/16
Cuarteto Típico Roberto Firpo – Pena mulata – 1941/6/16
Cuarteto Típico Roberto Firpo – Organito de suburbio – 1951/8/7
Cuarteto Típico Roberto Firpo – El internado – 1938/7/15
Cuarteto Típico Roberto Firpo – Alma de bohemio – 1947/5/21
Cuarteto Típico Roberto Firpo – Gran Hotel Victoria (Hotel Victoria) – 1948/8/13
Francisco Canaro – Muchachita de Montmartre – 1925/1/1
Francisco Canaro – De otros tiempos (segunda parte) – 1926/11/23
Francisco Canaro – Comandante Franco – 1926/1/1
Francisco Canaro – El cardenal – 1926/1/1
Francisco Canaro – Bajo Belgrano – 1926/12/14
Miguel Caló – La de los ojos tristes – 1944/12/14
Miguel Caló – Echale sal – 1948/8/9
Miguel Caló – Cambalache – 1962/9/1
Miguel Caló – El mismo final – 1963/4/16
Miguel Caló – Luna del viejo castillo – 1964/4/14

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

Zorzal recorded by other Orchestras

Zorzal recorded by other Orchestras

1942/10/27 – El lazo – Juan D-Arienzo
1942/10/27 – Criollita linda – Juan D-Arienzo
1942/10/27 – Carancho – Juan D-Arienzo
1942/10/27 – Seguime corazon – Juan D-Arienzo
1942/10/27 – A lo mejor quien te dice – Jose Garcia
Zorzal – 1941/12/3 – Carlos di Sarli – Roberto Rufino
Zorzal – 1969/3/6 – Enrique Rodriguez – Dorita Zarate
Zorzal – 1942/10/27 – Jose Garcia – Alfredo Rojas

Lyrics Translation of the Milonga Zorzal

This is the translation of the Milonga “Zorzal” from Spanish to English. The English lyrics of the Milonga “Zorzal” have been done with AI.

Letra del Milonga Zorzal

Morocho de ojazos negros

Y chambergo requintao,

Pañuelo florido al cuello

Y zapatos charolaos.

Cantaba sentidos tangos

Con su voz sentimental,

Y allá en su barriada humilde

Le llamaban el zorzal.



Cien noches le cantó

A su arrabal,

Cien noches sollozó

Su corazón.

Cariños tuvo mil

Y en su cantar,

Iba sembrando

Sus amores el zorzal.



El barrio ha quedado triste

Ya no tiene su cantor,

Se fue siguiendo una estrella

Porque en ella va su amor.

Aquella morocha linda

Que lo supo enamorar,

Cerró sus ojos pa´ siempre

Y tras ella fue el zorzal.

English lyrics of the Milonga "Zorzal"

Dark-haired with big black eyes,

And a stylish tilted hat,

A flowery scarf around his neck,

And shiny patent shoes.

He sang heartfelt tangos

With his sentimental voice,

And there in his humble neighborhood

They called him the thrush.

A hundred nights he sang

To his suburb,

A hundred nights his heart

Sobbed.

He had a thousand loves

And in his singing,

He was scattering

His loves, the thrush.

The neighborhood has remained sad

Now without its singer,

He left following a star

Because in it goes his love.

That beautiful dark-haired girl

Who managed to enamor him,

Closed her eyes forever

And after her went the thrush.

Zorzal by Dorita Zárate

Zorzal is a Tango written by Dorita Zárate and composed by Dorita Zárate.



Story behind the Tango Zorzal

‘Zorzal’ recounts the life and emotional landscape of a passionate, neighborhood tango singer known for his distinctive style and heartfelt performances. The lyrics describe a man with striking black eyes and fashionable attire, illustrating his deep connection to his humble neighborhood. His emotional expression through tango captures the affection of many, yet it’s his personal loss that deepens the narrative. He sings a hundred nights for his suburb, each song a testament to his sorrow and love, reflecting his emotional depth and the power of music in expressing raw human feelings.



Symbolism of Zorzal

In the context of this tango, the term ‘Zorzal’, which translates to ‘thrush’ in English, symbolizes more than just a singing bird; it represents the main character’s ability to charm and affect those around him with his melody. The repeated reference to his singing to the neighborhood illustrates his influence and the legacy he leaves behind. Descriptions of his eyes, attire, and the ‘sorrowful’ heart further enrich the symbolic environment, emphasizing the blend of personal anguish and the collective mood of the neighborhood after his departure.



Zorzal in historic Context

Recorded in 1942 in Argentina, ‘Zorzal’ emerges during a period rich in cultural blossoming yet marred by global conflict. The local impact of global turbulence might be reflected in the collective sentiment of loss and nostalgia prevalent in the lyrics. The singer’s journey following a star metaphorically touches upon themes of pursuit, hope, and perhaps escapism—emotions resonant with a wartime society. As he follows his love into eternity, the story captures a poignant blend of personal and communal resilience through art.



Dorita Zárate

Dorita Zárate was an influential figure in Argentine tango music, contributing both as a composer and lyricist, bringing emotional depth and local narratives to her works.