Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Uno y uno is a Tango written by Lorenzo Traverso and composed by Julio Pollero.
The lyrics of “Uno y uno” depict the poignant tale of a man whose fortunes have reversed. Once flamboyant and successful, especially in matters of love and wealth, he now finds himself ignored and diminished. Through a conversational and introspective narrative, the protagonist reflects on his past glories and current miseries, highlighting a stark transformation from a lively, admired individual to someone who is barely recognized and has lost his former charm and vitality.
The recurring theme of gambling and luck in “Uno y uno” serves as a powerful metaphor for the unpredictability of life and fate. The protagonist’s lament over his “turned table” symbolizes how fortunes can change swiftly, leaving one to adapt to new realities. The extravagant items he once owned, described with vivid colors and exuberance, symbolize the heights from which he has fallen. The reference to engaging ‘one by one’ (“uno y uno”) instead of in a crowd as he used to, accentuates his loneliness and disconnection from the society that once celebrated him.
Recorded in 1947 in Argentina, “Uno y uno” reflects the socio-economic conditions of post-World War II Argentina. This was a period marked by political upheaval and social changes, where the fluctuating fortunes of individuals often mirrored the instability of the country. The Tango, deeply rooted in Argentinian culture, serves as a vehicle expressing personal stories against this broader backdrop, often with themes of loss, nostalgia, and the harsh realities of life.
Lorenzo Traverso was a notable lyricist in the Tango scene, known for his poignant and reflective lyrics that often delve deep into personal and social issues.