Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Una mentira más is a Tango written by Alberto Cosentino and composed by Osvaldo Donato.
The lyrics of “Una mentira más” tell a story of love, deceit, and disillusionment. The protagonist narrates his experience of being deceived by someone he loved and trusted, comparing himself to a naive dog that loyally followed despite being misled. The central theme revolves around betrayal and the subsequent awakening to harsh realities, highlighted by the poignant realization that the love promised was nothing more than a lie, a fleeting fantasy.
The tango uses powerful symbolism to enhance its emotional depth. Phrases such as “Tuve sueños deliciosos,” symbolize the beautiful yet unreal dreams fed by false promises. The analogy of the protagonist to a “cardo envenenado” (poisoned thistle) standing alone in a desolate field portrays resilience amidst suffering and betrayal. Furthermore, the mention of the ‘lucero’ or morning star, symbolizing the mother, highlights the contrast between false love and the constant, pure love of a mother.
Recorded in 1957 in Argentina, “Una mentira más” was created during a vibrant yet tumultuous period in Argentine history, marked by political strife and social changes. The tango could be seen as reflecting the general sentiment of disillusionment of the time, mirroring the personal betrayals with the broader societal deceptions. The lyrics resonate with the theme of searching for truth and stability in an era of uncertainty, which aligns with the yearnings of Argentine society during the late 1950s.
Alberto Cosentino is renown for his contributions to Tango music, particularly for his emotionally resonant lyrics that often delve into themes of love, betrayal, and societal issues.