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Soy muchacho de arrabal

Soy muchacho de arrabal is a Tango written by Enrique Campos and recorded by Ricardo Tanturi in 1946. The Tango Soy muchacho de arrabal is written by Enrique Campos, Ricardo Tanturi has recorded Soy muchacho de arrabal with the singer Enrique Campos.
“Soy muchacho de arrabal” translates to “I am a boy from the slums” in English. This piece captures the soul of its rough-edged, vibrant neighborhood, echoing tales of struggles and dreams amidst narrow streets. Through its melody, it whispers resilience and the indomitable spirit of youth growing up surrounded by both hardship and hope.

Tango

Style

Ricardo Tanturi

Orchestra

Enrique Campos

Singer

Roberto Lambertucci

Author

Enrique Campos

Composer

1946/1/3

Date

Enrique Campos
Enrique Campos
Ricardo Tanturi
Ricardo Tanturi

Discover Other Orchestras

Pedro Laurenz – Mascarita – 1940/2/21
Pedro Laurenz – La madrugada – 1944/4/26
Pedro Laurenz – La cumparsita – 1953/9/22
Pedro Laurenz – Amurado – 1968/12/1
Pedro Laurenz – Muchachos mi último tango – 1944/3/1
José Garcia – Si escucharas mis amores – 1944/8/9
José Garcia – Turbión de recuerdos – 1944/10/2
José Garcia – El mentiroso – 1942/1/23
José Garcia – Solo compasion – 1942/6/17
José Garcia – Si alguna vez – 1943/12/11
Cuarteto Típico Roberto Firpo – Champagne tango – 1946/9/25
Cuarteto Típico Roberto Firpo – La rosarina – 1936/12/19
Cuarteto Típico Roberto Firpo – Pena mulata – 1941/6/16
Cuarteto Típico Roberto Firpo – El llorón – 1944/6/2
Cuarteto Típico Roberto Firpo – Flor de suburbio – 1939/2/2
Orquesta Símbolo Osmar Maderna – Yo te bendigo – 1959/8/18
Orquesta Símbolo Osmar Maderna – Me has robado el corazón – 1959/11/23
Orquesta Símbolo Osmar Maderna – Escalas en azul – 1959/6/17
Orquesta Símbolo Osmar Maderna – Papá Baltasar – 1960/10/14
Orquesta Símbolo Osmar Maderna – Mi poncho tucumano – 1959/8/18

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

1946/1/3 – Seis dias – Ricardo Tanturi
1946/1/4 – Selecciones de Carlos Gardel 1 – Domingo Federico
1946/1/4 – Selecciones de Carlos Gardel 2 – Domingo Federico
1946/1/1 – Cancion desesperada – Osmar Maderna
1946/1/1 – El viejito calavera – Osmar Maderna

Lyrics Translation of the Tango Soy muchacho de arrabal

This is the translation of the Tango “Soy muchacho de arrabal” from Spanish to English. The English lyrics of the Tango “Soy muchacho de arrabal” have been done with AI.

Letra del Tango Soy muchacho de arrabal

Soy muchacho de arrabal
Y el tango está en mi corazón,
Si oigo la voz del bandoneón
O en el violín de un tango de antes.

Giro la vista en el salón
Buscando a la más elegante,
Soy muchacho de arrabal
Y el tango está en mi corazón.

A todos pido permiso
Para rendirle homenaje,
A esta canción tan humilde
Que es la pasión de mi pueblo,
A este tango bien porteño
Que nos llega al corazón,
A este tango que en las almas
Va dejando una emoción.

English lyrics of the Tango "Soy muchacho de arrabal"

I’m a boy from the suburbs
And tango lives in my heart,
If I hear the voice of the bandoneón
Or the violin in an old tango.

I look around the hall
Searching for the most elegant,
I’m a boy from the suburbs
And tango lives in my heart.

I ask everyone for permission
To pay tribute,
To this humble song
That is the passion of my people,
To this true Buenos Aires tango
That touches our hearts,
To this tango that in souls
Leaves behind an emotion.

Soy muchacho de arrabal by Roberto Lambertucci

Soy muchacho de arrabal is a Tango written by Roberto Lambertucci and composed by Enrique Campos.



Story behind the Tango Soy muchacho de arrabal

The lyrics of “Soy muchacho de arrabal” depict the deep connection between the narrator, a young man from the suburbs (arrabal), and the passionate culture of tango music and dance that permeates his life. The phrase “Soy muchacho de arrabal” translates to “I am a boy from the suburbs” in English. It is both an identity and a declaration of the narrator’s roots and connection to the local culture characterized by its humble but vibrant tango scene.



Symbolism of Soy muchacho de arrabal

The tango uses rich symbolism, primarily through its musical references, to convey deep emotions and a sense of belonging. The mention of the “bandoneón” and the “violín” highlights the significance of tango music as a soulful expression intrinsic to the life of the arrabal. These instruments symbolize the emotional heartbeat of the suburbs, representing not just music but a lifeline and a means of expression for those who live there. The act of looking “for the most elegant one” in the dance hall reflects the yearning for connection and the deeply intertwined social and romantic aspects of tango dancing.



Soy muchacho de arrabal in historic Context

The song “Soy muchacho de arrabal” was written and recorded in the post-World War II era, during a time when Argentina was experiencing significant cultural and social changes. Tango, often seen as a reflection of the Argentine spirit, was immensely popular during this period. This piece captures the essence of Buenos Aires’ urban culture, especially its working-class neighborhoods, where tango was not just entertainment but a cultural identity. The historical context of 1946, shortly after Juan Perón came to power, also marks a period where there was a strong emphasis on national identity and cultural expressions, which tango was a significant part of.



Roberto Lambertucci

Roberto Lambertucci was an Argentine lyricist known for his contributions to the tango genre, making significant impacts with his expressive and poignant lyrics.