Fabrice Knecht Tango DJ

Santa mía

Santa mía is a Tango written by Ángel Domínguez and recorded by Francini-Pontier in 1949. The Tango Santa mía is written by Ángel Domínguez, Francini-Pontier has recorded Santa mía with the singer Alberto Podestá.
“Santa Mía,” translated to “My Saint” in English, echoes with a reverence that reverberates through every note. This title suggests a deep, personal veneration—a musical homage cloaked in longing and devotion. It invites the listener to waltz through sacred memories, each chord whispering tales of cherished sanctity and intimate adoration.

Tango

Style

Francini-Pontier

Orchestra

Alberto Podestá

Singer

José Rótulo

Author

Ángel Domínguez

Composer

1949/9/27

Date

Alberto Podestá
Alberto Podestá
Francini-Pontier
Francini-Pontier

Discover Other Orchestras

Carlos Gardel – Micifuz – 1927/6/20
Carlos Gardel – El sueño – 1927/3/30
Carlos Gardel – Cordobesita (2) – 1925/1/1
Carlos Gardel – Largue a esa mujica – 1929/8/8
Carlos Gardel – Mirala como se va – 1933/9/18
Ángel d’Agostino – El cornetín del tranvia – 1943/11/15
Ángel d’Agostino – Noviecita mía – 1942/10/29
Ángel d’Agostino – Qué me pasará – 1941/12/12
Ángel d’Agostino – Adios para siempre – 1942/3/16
Ángel d’Agostino – El cuarteador – 1942/1/1
Orquesta Típica Victor – Ojos que brillan – 1926/6/17
Orquesta Típica Victor – Falucho – 1926/10/25
Orquesta Típica Victor – La ñata – 1937/11/2
Orquesta Típica Victor – Anita – 1939/12/12
Orquesta Típica Victor – Hoyitos – 1930/6/4
Cuarteto Aníbal TROILO – Del barrio de las latas – 1968/8/5
Cuarteto Aníbal TROILO – La trampera – 1969/7/30
Cuarteto Aníbal TROILO – La tablada – 1968/8/5
Cuarteto Aníbal TROILO – A Pedro Maffia – 1968/9/11
Cuarteto Aníbal TROILO – Los mareados – 1968/9/11

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

1949/9/27 – Bien compadre – Osvaldo Pugliese
1949/9/27 – La cieguita – Osvaldo Pugliese
1949/9/27 – Lloro como una mujer – Francini-Pontier
1949/9/26 – Amigazo – Alfredo De Angelis
1949/9/26 – Buscando perdon – Alfredo De Angelis

Lyrics Translation of the Tango Santa mía

This is the translation of the Tango “Santa mía” from Spanish to English. The English lyrics of the Tango “Santa mía” have been done with AI.

Letra del Tango Santa mía

Llevame junto contigo, te oí decir,

y no escuchaba tu ruego.

Llevame junto contigo que, de llorar,

se quedarán mis ojos ciegos.

Yo fui detrás de otros sueños

y, al regresar, vi tus pupilas sin vida.

Triste final de los ojos que una vez

se perdieron por saber querer.



Vida, pude llamarte así

vida, cómo partir sin ti.

Pude gritarle al mundo que eras mía

y la dicha, santa mía,

la dejé perder por otro amor.

Santa, quién te castiga así.

Santa, quiero sufrir por ti.

Este dolor que sufres por mi culpa,

yo sé que nunca,

nunca tendrá perdón de Dios.

English lyrics of the Tango "Santa mía"

Take me with you, I heard you say,

but I didn’t listen to your plea.

Take me with you, for from crying,

my eyes will turn blind.

I chased other dreams,

and upon returning, I saw your lifeless gaze.

Sad end for the eyes that once

were lost in knowing how to love.

Life, I could call you so,

life, how to leave without you.

I could shout to the world that you were mine

and that happiness, my saint,

I let it slip away for another love.

Saint, who punishes you so.

Saint, I want to suffer for you.

This pain you bear because of me,

I know it will never,

never be forgiven by God.

Santa mía by José Rótulo

Santa mía is a Tango written by José Rótulo and composed by Ángel Domínguez.

Story behind the Tango Santa mía

Santa mía, a poignant Tango, delves into themes of regret and longing. The narrator reflects on a past love, reminiscing the plea of a loved one asking to stay together, which he ignored in pursuit of other dreams. Upon his return, the irreversible toll of his neglect is revealed—his beloved’s lifeless eyes, a metaphor for her complete desolation. This sorrowful rhapsody captures the tragedy of recognizing the value of what was once had only after it is lost.

Symbolism of Santa mía

The use of religious imagery and appellations such as “Santa” (translated as “Saint”) emphasizes the sanctity with which the narrator regards the lost love, elevating her suffering to a near-martyr status. Phrases like “nunca tendrá perdón de Dios” (never will have God’s forgiveness) highlight the perceived enormity of his transgression—an unforgivable sin in the cosmic scale. This adds a layer of eternal damnation to his regrets, deepening the emotional intensity of the lyrics.

Santa mía in historic Context

The year 1949 marks a period in Argentina and the world still reeling from the aftereffects of World War II and its accompanying reflections on human frailty and loss. In such a cultural milieu, themes of regret, redemption, and the seeking of forgiveness would resonate strongly. Tango, often a reflective and emotive medium, serves as a particularly apt vehicle for expressing such deep-seated remorse and longing for atonement.

José Rótulo

José Rótulo was a notable figure in Argentine tango, known for his profound lyrics and contributions to the genre’s rich history.