Fabrice Knecht Tango DJ
Fabrice Knecht Tango DJ
Style
Orchestra
Singer
Author
Composer
Date
These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
‘Que Dios me castigue (Que me castigue Dios)’ translates to ‘May God punish me’ and dives deep into the torment and inner conflict of love lost. The narrator expresses enduring love despite past hurts, highlighted in the first verse with a poignant mix of happiness at seeing their former lover and the acknowledgement of lingering feelings. Yet, the richness of the emotions is dashed by memories of betrayal, beautifully encapsulated in the contrast between wanting to embrace and the refusal to rekindle old desires.
The tango is rife with symbolic language that enhances its emotional weight. “Implorándote amor” (imploring you for love) and “Que me castigue Dios” (may God punish me) illustrate a consequential view of returning to a toxic love — as if against divine will. This tango uses the specter of divine punishment as a moral compass and a measure of the narrator’s internal strife and sense of morality regarding their romantic decisions.
Key phrases such as “es por respeto a Dios” (it is out of respect for God) and “Desde que te conozco me has hecho tanto daño” (Since I’ve known you, you’ve done me so much harm) emphasize a theme of enduring pain and the lingering influence of a spiritually bound morality. It reflects an intense battle between heart and religious or moral beliefs – a struggle that conveys the depth of pain in reliving these emotions yet acknowledges an omnipotent observer as a guard against wrong choices.
Released in 1957, a period marked by significant political and social changes in Argentina, this song mirrors the underlying tumult of its era. The theme of personal turmoil and conflict can be seen as reflective of the national psyche at this time, with Argentina facing economic difficulties and political instability. The call to divine judgment might resonate with the wider community’s search for moral and spiritual guidance amidst societal chaos.
Marcelo Salazar Bonilla was a significant figure in Argentine tango, both as a composer and lyricist, whose works often explored themes of love, betrayal, and moral struggle.