Payada criolla by Enrique Maroni

Payada criolla is a Tango written by Enrique Maroni and composed by José Basso.

Story behind the Tango Payada criolla

This tango embodies the spirit of the payada, a form of musical poetry duel popular in Argentina and Uruguay, often featuring two or more payadores (folk singers) exchanging verses in which they ask questions and give clever responses. Enrique Maroni, through ‘Payada criolla,’ portrays a verbal duel where the essence of Argentine wit and culture shines through lyrical banter. Each stanza builds upon the last, presenting questions touching on nature, personal experiences, and local wisdom, reflecting a session of cultural storytelling and humor.

Symbolism of Payada criolla

‘Payada criolla’ is steeped in symbolism and cultural references. The mention of “el cordero” (the lamb) and the “zorzal” (thrush) symbolize innocence and nature’s intrinsic patterns. Questions about elemental arithmetic transform into metaphors about understanding and humorously dissecting the realities of Argentine economy. This playful interchange also subtly critiques societal norms around work and relationships, with references to ants’ efforts and humorous jabs at familial relations.

Payada criolla in historic Context

‘Payada criolla’ was composed in the mid-20th century Argentina, a time marked by political and social upheaval. The payada, as a cultural phenomenon, allowed people to express themselves, often serving as a vehicle for satire and social commentary. By choosing this format, Enrique Maroni tapped into a longstanding tradition, utilizing clever banter to both entertain and provide subtle commentary on societal norms. The structure and form of this song, belonging deeply to the rural and urban folk traditions, acted as a bridge between past community dialogues and the contemporary issues of 1950s Argentina.

Enrique Maroni

Enrique Maroni was a notable Argentine poet and lyricist famed for his significant contributions to the tango genre.