Fabrice Knecht Tango DJ
Style
Orchestra
Singer
Author
Composer
Date
These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Pa’ mí es igual (Siempre amigos) is a Tango written by Enrique Cadícamo, Agustín Irusta and composed by Roberto Fugazot.
The lyrics of “Pa’ mí es igual (Siempre amigos)” depict a poignant moment of reconciliation between two friends who have been estranged for ten years due to a past conflict, possibly over love. This meeting occurs in a somber setting, possibly at the funeral of one of their mothers, which compels them to reflect on their lives and mend their friendship. Enrique Cadícamo masterfully uses a direct and conversational tone, inviting listeners into a private, emotional exchange that underscores the themes of forgiveness, mortality, and the enduring value of friendship.
The song is rich in symbolic elements, with references to physical gestures and objects that carry deeper meanings. The act of squeezing each other’s hands “machucá la mía” symbolizes a heartfelt connection and mutual support, despite the years of separation. Mentions of “canas” or grey hair signify the passage of time and the wisdom, or perhaps regrets, that come with aging. The vivid imagery of a red mouth and spilt blood during their past conflict highlights the intensity and possibly irrational nature of their youthful disputes, contrasting with their now subdued, reflective demeanors.
Recorded in Argentina in 1942, a pivotal era marked by political and social upheaval in the country, “Pa’ mí es igual (Siempre amigos)” may resonate with the spirit of reconciliation and unity. During a time when Argentina faced significant changes and challenges, themes of forgiveness and reconnection in the tango could reflect a broader societal need for cohesion and understanding amidst adversity. This historic context enriches the song’s message, suggesting that personal reconciliation could mirror larger societal healing processes.
Enrique Cadícamo was a prominent Argentine lyricist and poet, known for his significant contributions to the Tango genre. Agustín Irusta, similarly, was a well-regarded tango singer and composer, contributing greatly to the music scene in Argentina.