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Pa’ la guardia

Pa’ la guardia is a Tango written by Antonio Scelza and recorded by Osvaldo Pugliese in 1964. Osvaldo Pugliese has recorded Pa’ la guardia as an instrumental Tango.
“Pa’ la guardia” translates to “For the Guard” in English. This evocative title suggests a tribute to the resilience and vigilance of those who stand watch, ever ready to protect and serve. Through the rhythm of tango, it captures the poised grace of their steadfast duty, blending the dance’s passion with a sense of unwavering commitment.

Tango

Style

Osvaldo Pugliese

Orchestra

Instrumental

Singer

Author

Antonio Scelza

Composer

1964/8/1

Date

Instrumental
Instrumental
Osvaldo Pugliese
Osvaldo Pugliese

Discover Other Orchestras

Quinteto Real (Horacio Salgán) – Taquito militar – 1964/1/1
Quinteto Real (Horacio Salgán) – El pollo Ricardo – 1964/1/1
Quinteto Real (Horacio Salgán) – Mal de amores – 1960/1/1
Quinteto Real (Horacio Salgán) – De puro guapo – 1964/1/1
Quinteto Real (Horacio Salgán) – Adiós muchachos – 1964/1/1
Enrique Francini – Alguien – 1956/1/19
Enrique Francini – Quedémonos aquí – 1956/12/20
Enrique Francini – Melodía oriental – 1970/8/26
Enrique Francini – Qué noche – 1977/1/1
Enrique Francini – Qué me importa tu pasado – 1958/3/14
Ángel d’Agostino – Ninguna – 1942/12/30
Ángel d’Agostino – De igual a igual – 1945/11/2
Ángel d’Agostino – Así era el tango – 1944/4/5
Ángel d’Agostino – Carnaval de mi barrio – 1954/2/19
Ángel d’Agostino – Hay que vivirla compadre – 1942/9/2
Cuarteto Aníbal TROILO – La última curda – 1969/7/30
Cuarteto Aníbal TROILO – Toda mi vida – 1968/8/5
Cuarteto Aníbal TROILO – La cumparsita – 1968/9/11
Cuarteto Aníbal TROILO – Milonguero triste – 1969/7/30
Cuarteto Aníbal TROILO – Nocturno a mi barrio – 1969/7/30

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

Pa' la guardia recorded by other Orchestras

Pa’ la guardia recorded by other Orchestras

1964/7/1 – Norteno – Osvaldo Pugliese
1964/7/1 – Sera una noche – Osvaldo Pugliese
1964/9/1 – Que falta que me haces – Osvaldo Pugliese
1964/6/30 – Que falta que me haces – Juan D-Arienzo
1964/6/30 – Cana – Juan D-Arienzo
Pa- la guardia – 1964/8/1 – Osvaldo Pugliese – Instrumental
Pa- la guardia – 1959/6/30 – Orquesta Simbolo Osmar Maderna – Instrumental

Pa’ la guardia recorded by Osvaldo Pugliese


Pa’ la guardia is an instrumental Tango composed by Antonio Scelza.



Interpretation of Pa’ la guardia

“Pa’ la guardia” translates to “For the Guard” in English. As an instrumental piece, it captures the essence of vigilance, dedication, and duty. The orchestra, led by the talented Osvaldo Pugliese, interprets this in a manner that evokes a sense of alert readiness and unwavering commitment. The dynamic shifts in tempo and the intricate interplay between the instruments conjure images of steadfast individuals, holding their ground with resilience and pride. This Tango serves as a musical tribute to those who remain steadfast and dependable, portraying a powerful narrative without the use of words.



Osvaldo Pugliese and Pa’ la guardia

Osvaldo Pugliese, renowned for his transformative contributions to Tango music, brings “Pa’ la guardia” to life with his signature style and emotive depth. His orchestra’s rendition is marked by a profound understanding of the piece’s mood and intent, delivering a performance that is both intense and nuanced. The orchestration under Pugliese’s guidance enhances the feelings of vigilance and strength inherent in the music, providing listeners with an experience that is both moving and invigorating. His interpretation of “Pa’ la guardia” underscores the importance of the theme while showcasing the artistry and passion characteristic of his ensemble’s performances.