Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Mis manos (Mes mains) is a Tango written by Guillermo Pelay, Horacio Pelay, Pierre Delanoe and composed by Gilbert Becaud.
The lyrics of “Mis manos (Mes mains)” tell a story of longing and reminiscence, where the protagonist’s hands become a metaphor for emotional expression and connection to a lost love. The hands, feverish in dreams and extending like a prayer, symbolize the longing for reconnection and plea for compassion. This narrative is wrapped in a mixture of yearning and quiet despair, touching on themes of memory, loss, and the complex emotions involved in letting go.
In “Mis manos (Mes mains),” hands metaphorically represent various emotional states and actions. They are portrayed as active agents, “feverish” in dreams and “extending” in a manner akin to prayer, which symbolizes a yearning for spiritual or emotional recovery. The vivid imagery of hands acting with “cynical coldness” or expressing passion captures the conflict within the protagonist’s soul. The crucial symbolism of hands seeking another’s touch delicately illustrates the essence of human connection and the deep scars left when it is lost.
The song “Mis manos (Mes mains)” was written in 1956, a period marked by political and social upheaval in Argentina. This context might have influenced the themes of loss and longing in the tango, reflecting not just personal grief but a broader cultural sentiment of disillusionment and the search for stability and compassion. The turbulent environment could have mirrored the stormy emotional states described in the lyrics, enhancing the song’s resonance with its audience.
Guillermo Pelay and Horacio Pelay, together with Pierre Delanoe, collaborated to bring poignant emotional narratives into their tango compositions, effectively touching on universal themes of love and loss.