Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Milonga por qué lloras is a Tango written by Enrique Cadícamo and composed by Enrique Cadícamo.
“Milonga por qué lloras,” meaning “Milonga, why do you cry” in English, captures the poignant interrogation of the Milonga, a musical genre closely related to tango. The lyrics reflect a deep emotional dialogue, questioning why the music seems imbued with sadness and pain. Enrique Cadícamo, the lyricist, uses the personification of milonga to explore themes of sorrow and melancholy that resonate through the rhythm and mood of the piece.
The song’s continuous questioning, “Milonga… por qué llorás,” symbolizes an in-depth investigation into the nature of sadness associated with the music. The reference to “ojos de lila, ojeras violeta” (lilac eyes, violet circles) intensifies this sadness, using colors usually associated with bruising or a tired, pained state. This visual symbolism paints a picture of the music itself carrying the weight of unspoken historical grief, possibly relating to the broader societal struggles of the time.
The tango was recorded on September 10, 1930, a period of significant political and social upheaval in Argentina. The nation experienced the 1930 coup, which marked the beginning of a series of military interventions in Argentine politics. This sense of loss, uncertainty, and melancholy likely influenced the tone of the music and lyrics, making “Milonga por qué lloras” not just an artistic creation but a reflection of the turmoil and emotion pervading the society during this era.
Enrique Cadícamo was a renowned Argentine poet and tango lyricist, known for his profound contributions to the genre during the golden age of Argentine tango.