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Mecha

Mecha is a Vals written by Enrique Rodríguez and recorded by Enrique Rodríguez in 1946. The Vals Mecha is written by Enrique Rodríguez, Enrique Rodríguez has recorded Mecha with the singer Ricardo Herrera, Fernando Reyes.
“Mecha” translates to “Fuse” in English. In this tango’s rhythm, ‘Mecha’ ignites a visceral spark, unleashing emotions like a flame’s dance in the heart’s dark. Its melodies entwine, setting the soul ablaze with passion and a promise of fiery encounters, where each note is a flicker in the volatile waltz of desire.

Vals

Style

Enrique Rodríguez

Orchestra

Ricardo Herrera, Fernando Reyes

Singer

Gerónimo Martinelli Massa, Ismael Aguilar

Author

Enrique Rodríguez

Composer

1946/6/21

Date

Ricardo Herrera, Fernando Reyes
Ricardo Herrera, Fernando Reyes
Enrique Rodríguez
Enrique Rodríguez

Discover Other Orchestras

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Anibal Troilo – Volver – 1970/8/13
Domingo Federico – Pachito – 1951/7/3
Domingo Federico – Desde la noche – 1961/1/1
Domingo Federico – Zapatos – 1945/7/19
Domingo Federico – La cumparsita (Si supieras) – 1961/1/1
Domingo Federico – En carne propia – 1946/7/22
Ricardo Malerba – Oración peruana – 1956/6/1
Ricardo Malerba – Linda – 1956/9/13
Ricardo Malerba – Una copa mas – 1944/10/16
Ricardo Malerba – Corazón de artista – 1943/1/18
Ricardo Malerba – San Martin campeón – 1957/1/7
Héctor Varela – Amor de chiquilina – 1959/8/21
Héctor Varela – Tal para cual – 1952/6/13
Héctor Varela – Noches de cabaret – 1951/9/24
Héctor Varela – Qué poca cosa fue tu amor – 1960/3/18
Héctor Varela – Cuesta abajo – 1975/1/1

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

Mecha recorded by other Orchestras

Mecha recorded by other Orchestras

1946/6/21 – Vayan saliendo – Osvaldo Pugliese
1946/6/21 – Fea – Enrique Rodriguez
1946/6/20 – Adios pampa mia – Osvaldo Fresedo
1946/6/20 – Eras el amor – Osvaldo Fresedo
1946/6/19 – Chique – Osmar Maderna
Mecha – 1946/6/21 – Enrique Rodriguez – Ricardo Herrera
Fernando Reyes
Mecha – 1934/12/17 – Roberto Firpo – Instrumental

Lyrics Translation of the Vals Mecha

This is the translation of the Vals “Mecha” from Spanish to English. The English lyrics of the Vals “Mecha” have been done with AI.

Letra del Vals Mecha

Llegó la primavera al jardín
Se llenó de rosas y sol
Prendiéndole el cantar
De las golondrinas de amor

La vida está sembrando ilusión,
Las bellas mariposas ya van,
Buscando de flor en flor
El néctar para su afán.

Para mí
No llegó
A traer
La ilusión
Para mí
Sólo es
Una pena
De vieja canción

Para mí
Sin tu amor
Es mi luz
Mi pasión
Como es
Un dolor,
Un otoño
Sin hojas ni flor.

English lyrics of the Vals "Mecha"

Springtime has come to the garden,
It’s filled with roses and sun,
Igniting the songs
Of swallows in love.

Life is sowing dreams,
The beautiful butterflies go,
From flower to flower searching
The nectar for their craving.

For me,
It hasn’t arrived,
Bringing
The hope,
For me,
It’s only
A sorrow,
An old song’s lament.

For me,
Without your love,
Is my light,
My passion,
It is,
A pain,
An autumn
Without leaves or flowers.

Mecha by Gerónimo Martinelli Massa, Ismael Aguilar

Mecha is a Tango written by Gerónimo Martinelli Massa, Ismael Aguilar and composed by Enrique Rodríguez.

Story behind the Tango Mecha

Mecha captures the melancholic contrast between the beauty of nature in its prime and the anguish of unrequited love. The arrival of spring in the garden, bursting with roses and sunshine, is poetically depicted. This season typically symbolizes rebirth and happiness, yet for the narrator, it accentuates the void left by an absent love. Thus, the exuberance of spring only serves to deepen the sorrow, emphasizing the personal disconnect between the narrator and the world around him.

Symbolism of Mecha

The juxtaposition of nature’s renewal with personal despair is central to “Mecha”. Spring and its elements—roses, swallows, and butterflies—symbolize hope and renewal. However, for the narrator, they contrast sharply with his inner world of pain and longing. Key phrases like “La vida está sembrando ilusión,” which translates to “Life is sowing illusions,” suggests a feeling of being mocked by the evident joy and beauty around him. The repeated refrains “Para mí no llegó” highlight a poignant personal exclusion from the seasonal rebirth and joy that spring typically brings to others.

Mecha in Historic Context

“Mecha,” composed in 1946 just after World War II, emerges from a world trying to heal from immense destruction and loss. The context of widespread global recovery contrasts starkly with the personal grief expressed in the tango, perhaps mirroring the broader societal feelings of isolation or loss despite a world rebuilding itself. This could reflect the sociopolitical climate of Argentina in the mid-20th century—a nation grappling with rapid changes and social upheavals.

Gerónimo Martinelli Massa, Ismael Aguilar

Gerónimo Martinelli Massa and Ismael Aguilar were notable figures in the Argentine tango scene, known for their emotive and often poignant lyrical contributions that resonate deeply with the cultural and personal ethos of their times.