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Maria (2)

Maria (2) is a Pasodoble written by and recorded by Enrique Rodríguez in 1940. The Pasodoble Maria (2) is written by , Enrique Rodríguez has recorded Maria (2) with the singer Armando Moreno.
“Maria (2)” translates to “Mary (2)” in English, evoking a timeless elegance and a deep sense of history. The name conjures images of grace and resilience, a figure who dances through life’s intricate melodies with poise. This piece captures both the strength and vulnerability of its namesake, weaving a tapestry of emotions that linger in the heart.

Pasodoble

Style

Enrique Rodríguez

Orchestra

Armando Moreno

Singer

Author

Composer

1940/12/13

Date

Armando Moreno
Armando Moreno
Enrique Rodríguez
Enrique Rodríguez

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Lyrics Translation of the Pasodoble Maria (2)

This is the translation of the Pasodoble “Maria (2)” from Spanish to English. The English lyrics of the Pasodoble “Maria (2)” have been done with AI.

Maria (2) recorded by Enrique Rodríguez


Maria (2) is an instrumental Tango composed by Enrique Rodríguez.



Interpretation of Maria (2)

As an instrumental piece, “Maria (2)” embodies the elegant and passionate essence of a Tango through its melodic structures and rhythm. The composition unfolds with an emotive melody played by the bandoneón, capturing the depth and allure synonymous with the name Maria. It creates an intimate yet grand atmosphere, using dynamic variations to tell a story of longing and romance. The arrangement showcases harmonious exchanges between violin and piano, adding layers of complexity and emotional intensity. The number “2” hints at a continuation or a second chapter, suggesting a reprise or variation on a previous theme, where Maria’s story takes on new life through the evocative tango expressions.



Enrique Rodríguez and Maria (2)

Enrique Rodríguez, celebrated for his contributions to the Tango genre, masterfully records “Maria (2)” capturing its vibrancy and emotive power. His orchestra, known for its refined and lively interpretations, brings authenticity and passion to the performance. Rodriguez’s arrangement highlights both technical proficiency and emotional resonance, making “Maria (2)” not just a piece of music, but an experience that transports listeners to the heart of Argentine Tango. In the hands of Rodríguez, “Maria (2)” becomes a timeless dance of nostalgia and passion, echoing through every note played.