Fabrice Knecht Tango DJ

Mañana no estarás

Mañana no estarás is a Tango written by Ariel Gessaghi and recorded by Carlos di Sarli in 1946. The Tango Mañana no estarás is written by Ariel Gessaghi, Carlos di Sarli has recorded Mañana no estarás with the singer Jorge Durán.
The piece titled “Mañana no estarás,” meaning “Tomorrow You Won’t Be Here,” weaves a poignant melody of fleeting moments. Each note whispers the inevitable passage of time, reminding us to cherish the present. The music captures the bittersweet dance of memories and goodbyes, leaving an echo of longing and love in its wake.

Tango

Style

Carlos di Sarli

Orchestra

Jorge Durán

Singer

Horacio Sanguinetti

Author

Ariel Gessaghi

Composer

1946/6/6

Date

Jorge Durán
Jorge Durán
Carlos di Sarli
Carlos di Sarli

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Osvaldo Pugliese – Locura tanguera – 1966/10/1
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

Mañana no estarás recorded by other Orchestras

Mañana no estarás recorded by other Orchestras

1946/6/6 – Clavel del aire – Carlos di Sarli
1946/6/13 – El tabano – Osvaldo Pugliese
1946/6/14 – Camino del Tucuman – Anibal Troilo
1946/6/14 – En carne propia – Anibal Troilo
1946/6/14 – Tarde gris – Anibal Troilo
Manana no estaras – 1946/6/6 – Carlos di Sarli – Jorge Duran
Manana no estaras – 1945/12/29 – Miguel Calo – Raul Iriarte

Lyrics Translation of the Tango Mañana no estarás

This is the translation of the Tango “Mañana no estarás” from Spanish to English. The English lyrics of the Tango “Mañana no estarás” have been done with AI.

Letra del Tango Mañana no estarás

Siento que tu voz
de cálido metal
entona su canción final,
palabra de dolor que hiere
es este adiós de nieve.
Fuiste para mí
motivo de vivir,
te vas de mi corazón.

¡Mañana no estarás!
Aquí, cerquita mío,
¡Mañana no estarás!
Y yo, me moriré de hastío.
Me cuesta imaginar,
que has de partir tan lejos,
¡Tan lejos!…
Lejos de este amor tan viejo.
¡Mañana no estarás!
Y yo seré un espectro,
fantasma del camino
nocturno peregrino
fantoche del amor.

English lyrics of the Tango "Mañana no estarás"

I feel your voice
of warm metal
intoning its final song,
a word of pain that wounds
this farewell of snow.
You were for me
a reason to live,
you’re leaving my heart.

Tomorrow you won’t be here!
Here, so close to me,
Tomorrow you won’t be here!
And I, will die of boredom.
It’s hard to imagine,
that you will leave so far,
So far!…
Far from this old love.
Tomorrow you won’t be here!
And I will be a specter,
a phantom on the road
a nocturnal pilgrim
a love’s puppet.

Mañana no estarás by

Mañana no estarás is a Tango written by and composed by Ariel Gessaghi.

Story behind the Tango Mañana no estarás

Mañana no estarás, written in 1946 in Buenos Aires, Argentina, captures a poignant moment of farewell and loss. The lyrics express an intense emotional state as the narrator grapples with the impending absence of a loved one. This tango reflects the universal human experience of separation and the profound impact it has on the heart and soul. The narrative unfolds like a farewell letter, filled with longing and a sense of finality. Through its words, the tango becomes a lament for a love that is about to become a memory.

Symbolism of Mañana no estarás

The tango employs vivid imagery and symbolism to convey its emotional depth. The “voz de cálido metal” suggests a voice that is both warm and resonant, indicative of the deep emotional connection the narrator feels. The phrase “adiós de nieve” uses the cold, transient nature of snow to symbolize the chilling finality of the goodbye. The recurring refrain, “¡Mañana no estarás!”, emphasizes the stark reality of imminent absence and the unbearable solitude it brings. Phrases like “fantasma del camino” and “nocturno peregrino” paint the narrator as a lost soul, wandering in darkness, bereft of their guiding light.

Mañana no estarás in historic Context

Written in post-war Buenos Aires, the tango reflects a time marked by social and emotional upheaval. The 1940s were a period when tango was a dominant cultural expression in Argentina, capturing the complexities of life in a rapidly changing society. The emotional intensity and themes of longing and loss in “Mañana no estarás” resonate with a generation that experienced the transformative impacts of World War II and its aftermath. Buenos Aires, as the birthplace of tango, provided a vibrant backdrop for these expressions of human emotion, with its bustling streets and intimate dance halls becoming the setting for tales of love, loss, and longing.

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