Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Loca de amor (La loca de amor) is a Tango written by Ricardo Podestá and composed by Pablo Vázquez.
In “Loca de amor (La loca de amor)”, Ricardo Podestá unveils the poignant narrative of a woman, Lola, whose mental stability is shattered by the tragic loss of her lover, Marcelo, to war. The lyrics paint a vivid image of Lola wandering alone in the expansive pampas, driven mad by her grief and love. This poignant story encapsulates the themes of unyielding love, loss, and the poignant solitude of bereavement.
The work is rich in symbolism; the expansive pampas represent both the vast beauty of the Argentine landscape and the boundless desolation of Lola’s sorrow. The “lánguida faz” (languid face) and “torrentes” (torrents) of tears symbolically depict the intensity of her emotional pain. The narrative reaches its symbolic climax when Lola embraces “la corona con ardor” (“the crown ardently”), alluding to her impassioned cling to love, even in profound suffering, eventually leading her to her grave, symbolized by the “tumba fría” (“cold tomb”).
Recorded in Argentina in 1938, “Loca de amor (La loca de amor)” is deeply embedded in the historical and cultural landscape of its time. This period in Argentine history, fraught with political upheaval and the looming shadows of World War II, saw many individuals grappling with the themes of loss and national pride, portrayed in the tango through Lola’s story. The reference to Marcelo being summoned to defend his homeland against an invader resonates with the nationalistic spirit prevalent during those times.
Ricardo Podestá, an Argentine tango lyricist, was known for his deep and expressive lyrics that often delved into themes of love, sorrow, and societal reflections.