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La última ronda

La última ronda is a Tango written by Julio Pollero and recorded by Carlos Gardel in 1930. The Tango La última ronda is written by Julio Pollero, Carlos Gardel has recorded La última ronda with the singer Guit. Guillermo Barbieri, José María Aguilar, Ángel Domingo Riverol.
“La última ronda,” translated to English as “The Last Round,” evokes the final moments of a fading dance or a heartfelt goodbye. This piece captures the bittersweet essence of endings, where melodies entwine with emotions to echo the sorrow of parting. As the music swells, it embraces the nostalgia of past embraces, whispering farewell in its tender notes.

Tango

Style

Carlos Gardel

Orchestra

Guit. Guillermo Barbieri, José María Aguilar, Ángel Domingo Riverol

Singer

Francisco Lozano

Author

Julio Pollero

Composer

1930/11/4

Date

Guit. Guillermo Barbieri, José María Aguilar, Ángel Domingo Riverol
Guit. Guillermo Barbieri, José María Aguilar, Ángel Domingo Riverol
Carlos Gardel
Carlos Gardel

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Lyrics Translation of the Tango La última ronda

This is the translation of the Tango “La última ronda” from Spanish to English. The English lyrics of the Tango “La última ronda” have been done with AI.

Letra del Tango La última ronda

Callecita de mi pueblo inolvidada

que de joven siempre yo rondaba,

el recuerdo del pasado

me atormenta la razón.

Silenciosa y confidente callecita,

el querer del cual vos sos testigo,

no lo tengo en el olvido

por más tiempo que pasó.



En mi última ronda

todo ya dormía,

en mi última ronda,

a la novia mía,

al pie de su reja,

muy juntos los dos,

no ser para otra

juré yo ante Dios.



Ni los juegos, ni el dinero, ni mujeres,

ni los bailes, ni los mil placeres,

ni este lujo deslumbrante

de esta hermosa población,

no consiguen alejar de mi memoria

a la chica de mi triste historia,

que, aunque muerta está hace años,

aun vive en mi corazón.

English lyrics of the Tango "La última ronda"

Little street of my forgotten village
where in youth I always roamed,
the memory of the past
torments my reason.

Silent and confiding little street,
the love of which you are a witness,
I have not forgotten it
no matter how much time has passed.

On my last round
everything was already asleep,
on my last round,
to my beloved,
at the foot of her fence,
very close together,
I swore to God
to be for no other.

Neither games, nor money, nor women,
nor dances, nor the thousand pleasures,
nor this dazzling luxury
of this beautiful town,
manage to remove from my memory
the girl of my sad story,
who, though dead for years,
still lives in my heart.

La última ronda by Francisco Lozano

La última ronda is a Tango written by Francisco Lozano and composed by Julio Pollero.



Story behind the Tango La última ronda

“La última ronda” (The Last Round) serves as a poetic reflection of the author’s nostalgic journey back to a beloved street in his youth, a silent witness to a past love. Lozano delves into the torment caused by memories of unreciprocated or lost love, revealing a depth of emotion that bleeds through his pledges made under the glow of his beloved’s window. The narrative captures a universal sentiment of longing and remembrance, underscored by the quietude of a sleeping town and the solemn vow made to a once cherished partner. This walk down memory lane represents a final farewell, a last round through a place forever etched in his heart.



Symbolism of La última ronda

The recurring motif of “la última ronda” symbolizes a conclusive journey not only along the physical paths of one’s past but through the emotional landscapes of memories and unfulfilled promises. Stating that nothing could replace his feelings — not money, nor pleasure nor the bright allure of city life — emphasizes the indelible mark left by his first love. The use of the phrase “aun vive en mi corazón” (still lives in my heart) underscores the enduring nature of true affection, surviving even beyond death. These symbols evoke the pain and beauty of eternal emotional bonds.



La última ronda in historic Context

Recorded on November 4, 1930, in Argentina, “La última ronda” reflects a period of cultural transformation. The 1930s in Argentina were times of economic strain and political instability which influenced the tango to shift towards more introspective, melancholic themes. This tango, with its evocation of past simplicity and true emotion amidst growing ‘luxurious’ city life, serves as a metaphor for the societal changes and the nostalgia for ‘simpler’ times. The lyrics likely resonated with many during this era who felt displaced or out of sync with the rapidly urbanizing society.



Francisco Lozano

Francisco Lozano was a renowned tango lyricist known for his poignant and emotive compositions, deeply resonant with the Argentine spirit.