Fabrice Knecht Tango DJ

La trifulca

La trifulca is a Milonga written by Juan Rezzano and recorded by Roberto Firpo in 1940. Roberto Firpo has recorded La trifulca as an instrumental Milonga.
“La trifulca,” which translates to “The Brawl” in English, evokes the fervor and intensity of a lively confrontation. This piece captures the clashing of emotions, where passion and tension weave together in a dance of melody and rhythm. Like a tango on a crowded dance floor, it tells a story of vibrant struggles and spirited exchanges.

Milonga

Style

Roberto Firpo

Orchestra

Instrumental

Singer

Jesús Fernández Blanco

Author

Juan Rezzano

Composer

1940/4/25

Date

Instrumental
Instrumental
Roberto Firpo
Roberto Firpo

Discover Other Orchestras

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

Letra del Milonga La trifulca

Ayer los rivales se enfrentaron por fin,

los dos eran guapos pa’ cualquier ocasión,

y allí se trenzaron por la moza gentil

en un contrapunto de milonga y rencor…



Los dos se tenían mucha fe pa’ triunfar

y al ir taconeando por el largo salón

los dos se buscaban con mirada mortal…



Cuando digo: “¡Quiero!,

siempre gano la partida

y en amores y entreveros

yo barajo con la vida…



¡Oiga!, dijo el otro,

quiero habarlo a la salida.

Mano a mano pienso hacerle ver

que el juego es mi pasión,

si el premio es un querer…

¡El que no se juege el corazón,

por un cariño, no es varón!



Se armó la trifulca con barullo infernal,

la luz de la sala pronto alguno apagó,

después a los taitas consiguieron calmar

y allí, como nunca, la milonga reinó…



La flor codiciada, flor del bien y del mal,

siguió coquetona dando chance a los dos,

al ver que por ella se querían matar…

English lyrics of the Milonga "La trifulca"

Yesterday, the rivals finally clashed,

both were handsome for any occasion,

and there they tangled over the gentle maid

in a counterpoint of milonga and rancor…

Both were very confident to triumph

and as they clicked their heels across the long hall

they both sought each other with a mortal gaze…

When I say: “I want!”,
I always win the game
and in love and scuffles
I shuffle with life…

Listen!, said the other,
I want to speak to you outside.
Man to man I intend to make you see
that the game is my passion,
if the prize is a beloved…
He who does not stake his heart,
for a love, is not a man!

The brawl began with hellish uproar,
soon someone turned off the light of the room,
later they managed to calm the crowd
and there, like never before, the milonga reigned…

The coveted flower, flower of good and evil,
continued flirtatiously giving a chance to both,
seeing that for her they wanted to kill each other…

La trifulca by Jesús Fernández Blanco

La trifulca is a Tango written by Jesús Fernández Blanco and composed by Juan Rezzano.



Story behind the Tango La trifulca

La trifulca, which translates in English to “The Brawl,” portrays a dramatic confrontation between rivals over a woman’s affection. The lyrics reflect a vivid scene where these rivals, skilled and confident, clashed in a dance hall. The encounter is charged with intensity and is overlaid with a mix of milonga rhythm and personal grievances. The essence of the showdown is captured in the milieu of a social dance setting, where emotions escalate until physical conflict ensues. This altercation is eventually calmed, and paradoxically, the event winds up energizing the milonga more than ever.



Symbolism of La trifulca

The narrative of La trifulca is rich in symbolism. The “flor codiciada” (coveted flower) symbolizes the woman desired by both men, representing both good and evil, suggesting her allure and the potential destruction her affection might engender. The intense stand-off between the men symbolizes larger themes of honor, love, and rivalry, common in tango lyrics. Furthermore, phrases like “¡Oiga!, dijo el otro, quiero habarlo a la salida,” speak to themes of fate and choice, where each person’s decisions directly impact their destiny, a recurring philosophy seen in tango culture.



La trifulca in historic Context

Recorded in 1940 in Argentina, La trifulca emerges during a vibrant era for tango, a dance intimately tied to the urban landscape and culture of Buenos Aires. During this period, tango was not simply a musical or dance phenomenon but an expression of deeper societal currents, narrating everyday personal and social dramas against a backdrop of a changing society. The portrayal of a milonga (a social dance event) where passions lead to a brawl encapsulates the intensity and rawness often found in tango halls, reflecting broader themes of passion, pride, and machismo prevalent in that era.



Jesús Fernández Blanco

Jesús Fernández Blanco was an influential lyricist in the realm of Argentine tango, known for his adept storytelling through emotive and vivid lyrics.