Fabrice Knecht Tango DJ

La entrerriana (2)

La entrerriana (2) is a Ranchera written by and recorded by Roberto Firpo in 1931. The Ranchera La entrerriana (2) is written by , Roberto Firpo has recorded La entrerriana (2) with the singer Principe Azul.
“La entrerriana (2),” meaning “The Woman from Entre Ríos,” evokes the essence and grace of a land enriched by rivers. This piece captures the spirit and resilience of a woman whose heart beats in rhythm with the rolling landscapes of her homeland. Through its melody, it paints a vivid portrait of her journey and strength, flowing like the Paraná River.

Ranchera

Style

Roberto Firpo

Orchestra

Principe Azul

Singer

Author

Composer

1931/3/10

Date

Principe Azul
Principe Azul
Roberto Firpo
Roberto Firpo

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Pedro Laurenz – Risa loca – 1968/12/1
Pedro Laurenz – Abandono (Amarguras) – 1937/9/24
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Pedro Laurenz – Buen amigo – 1925/7/3
Aníbal Troilo – Soy del 90 – 1943/4/27
Aníbal Troilo – Ventanita de arrabal – 1965/9/24
Aníbal Troilo – Apenas Marielena – 1968/11/28
Aníbal Troilo – El barrio del tambor – 1943/11/5
Aníbal Troilo – Pa que seguir – 1942/12/14
José Basso – Once y uno – 1986/1/1
José Basso – Adiós muchachos – 1961/5/12
José Basso – Tarareando – 1965/1/1
José Basso – Como dos extraños – 1961/11/28
José Basso – Por la vuelta – 1956/6/11

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

1931/3/10 – Eco melodioso – Roberto Firpo
1931/3/10 – Hay que creerlo (Hay que creer o …) – Roberto Firpo
1931/3/10 – Magico sueno – Roberto Firpo
1931/3/10 – Que me contas – Roberto Firpo
1931/3/10 – Una sombra – Roberto Firpo

Lyrics Translation of the Ranchera La entrerriana (2)

This is the translation of the Ranchera “La entrerriana (2)” from Spanish to English. The English lyrics of the Ranchera “La entrerriana (2)” have been done with AI.

La entrerriana (2) recorded by Roberto Firpo


La entrerriana (2) is an instrumental Tango composed by.



Interpretation of La entrerriana (2)

The title “La entrerriana” translates to “The Woman from Entre Ríos” in English. As an instrumental piece, it likely captures the cultural essence and vivid imagery associated with Entre Ríos, a province in Argentina. The music may evoke scenes of traditional Argentine life, painted through expressive melodies and rhythms typical of the tango genre. Given its title, the composition could embody the spirit, grace, and perhaps the longing of a woman from this region.



Roberto Firpo and La entrerriana (2)

Roberto Firpo’s orchestra delivers “La entrerriana (2)” with a sensibility that pays homage to the birthplace of tango itself. Firpo, being an influential figure in the development of tango, infuses the piece with rich harmonies and rhythmic complexities. His interpretation might emphasize the emotive potential of the bandoneón, interwoven with violin and piano to create a tapestry of sound that transports listeners to the heart of Argentina’s Entre Ríos province, showcasing the nostalgia and vibrancy of the region.