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Hoy al recordarla

Hoy al recordarla is a Tango written by José Canet and recorded by Carlos di Sarli in 1945. The Tango Hoy al recordarla is written by José Canet, Carlos di Sarli has recorded Hoy al recordarla with the singer Jorge Durán.
“Hoy al Recordarla” translates to “Today, Remembering Her.” This evocative title speaks to the bittersweet dance of memory, where echoes of past tenderness entwine with the present longing. It encapsulates the deep, lingering nostalgia that accompanies cherished recollections, weaving a melody of love that time may fade but never erase.

Tango

Style

Carlos di Sarli

Orchestra

Jorge Durán

Singer

José Canet

Author

José Canet

Composer

1945/7/31

Date

Jorge Durán
Jorge Durán
Carlos di Sarli
Carlos di Sarli

Discover Other Orchestras

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Enrique Rodríguez – Quién sos vos (Decime quién sos vos) – 1942/6/10
Enrique Rodríguez – Mira mi amor – 1971/5/17
Osmar Maderna – Para ti madre – 1949/1/26
Osmar Maderna – Cuando no te quiere nadie – 1949/9/29
Osmar Maderna – Mimí Pinsón (Mimí Pinzón) – 1951/3/29
Osmar Maderna – Inútil – 1947/2/20
Osmar Maderna – Ojos negros – 1947/1/9
Roberto Firpo – Noche de amor – 1932/7/7
Roberto Firpo – Alzame en tus brazos – 1936/3/14
Roberto Firpo – El tentador – 1938/8/25
Roberto Firpo – Todos lloraban – 1926/12/30
Roberto Firpo – Jueves – 1927/5/19
Héctor Varela – Don Goyo – 1957/4/26
Héctor Varela – Murió el malevo – 1953/6/16
Héctor Varela – No me hablen de ella – 1957/9/12
Héctor Varela – Que sigan charlando – 1952/12/19
Héctor Varela – Historia de un amor – 1956/3/13

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

Hoy al recordarla recorded by other Orchestras

Hoy al recordarla recorded by other Orchestras

1945/7/30 – La chiflada – Astor Piazzolla
1945/7/26 – Me duele el corazon – Juan D-Arienzo
1945/7/26 – El pensamiento – Juan D-Arienzo
1945/7/26 – Andanzas – Juan D-Arienzo
1945/7/25 – Capullito – Osvaldo Fresedo
Hoy al recordarla – 1945/7/31 – Carlos di Sarli – Jorge Duran
Hoy al recordarla – 1945/12/18 – Osvaldo Pugliese – Alberto Moran
Hoy al recordarla – 1946/3/1 – Alfredo De Angelis – Julio Martel

Lyrics Translation of the Tango Hoy al recordarla

This is the translation of the Tango “Hoy al recordarla” from Spanish to English. The English lyrics of the Tango “Hoy al recordarla” have been done with AI.

Letra del Tango Hoy al recordarla

Se atora el tango en sus venas
y en mis penas se arrincona.
Y en el sonar que desgarra
se hacen garra sus aromas.
La flor ausente del amor
en mi dolor clavó su espina.
Ya nunca más he de volver
a su querer, ni a aquella esquina.
Se atora el tango cansado
y a su lado muero yo.

Hoy al recordarla,
en el alma siento
que llegan lamentos
de amores lejanos.
Y en los bandoneones
noto que enredadas
las notas cansadas
me dicen hermano.
Hoy al recordarla
iré en mi locura
por calles oscuras
que saben mi angustia.
¡Qué noche más triste!,
surgen los recuerdos
y en sombras me pierdo
llorando su amor.

Se atora el tango en sus venas,
y en mis penas se hace herida.
Siguen sus notas tristonas
que asoman a mi vida.
Mientras solloza el bandoneón
mi corazón se desespera.
Porque no encuentra en su dolor
aquel calor de la que espera.
Se atora el tango cansado
y a su lado muero yo.

English lyrics of the Tango "Hoy al recordarla"

The tango clogs in its veins
and in my sorrows it retreats.
And in the tearing sound,
its scents become claws.
The absent flower of love
in my pain left its thorn.
I’ll never return
to her love, or that corner.
The tired tango clogs
and beside it I die.

Today, in remembering her,
I feel in my soul
the arrival of laments
of distant loves.
And in the bandoneons
I notice, entangled,
the weary notes
calling me brother.
Today, in remembering her,
I’ll wander in my madness
through dark streets
that know my anguish.
What a sad night!,
memories arise
and in shadows I lose myself
crying for her love.

The tango clogs in its veins,
and in my sorrows it becomes a wound.
Its sad notes continue
to peer into my life.
While the bandoneón sobs,
my heart despairs.
For it cannot find in its pain
the warmth of the one who waits.
The tired tango clogs
and beside it I die.

Hoy al recordarla by

Hoy al recordarla is a Tango written by and composed by José Canet.

Story behind the Tango Hoy al recordarla

Hoy al recordarla weaves a tale of longing, sadness, and nostalgia, evoking the memory of a past love. The lyrics delve into the personal turmoil and heartache of the speaker as they reflect on a relationship that has left a lasting mark. The tango’s haunting melodies match the emotional depth of the words, creating an atmosphere of poignant reminiscence.

Symbolism of Hoy al recordarla

The tango employs vivid imagery and symbolism to convey its emotional weight. Phrases like “Se atora el tango en sus venas” (The tango gets stuck in his veins) symbolize the deep entanglement of tango with the speaker’s emotions, suggesting a visceral connection between the music and their inner turmoil. The notion of “la flor ausente del amor” (the absent flower of love) introduces a metaphor for the missing, painful aspect of love, embedding the theme of loss and longing. The “bandoneones” (bandoneons) further symbolize the tango’s mournful quality, emphasizing the pain of separation and unfulfilled love.

Hoy al recordarla in historic Context

Written in 1945 in Buenos Aires, Argentina, “Hoy al recordarla” reflects the post-World War II atmosphere where themes of loss, separation, and yearning were prevalent. The cultural significance of tango in Buenos Aires at this time cannot be overstated—it was a central expression of the city’s soul and a conduit for emotional exploration. The mention of “calles oscuras” (dark streets) highlights Buenos Aires’ urban landscape, filled with people seeking solace in music amidst personal and collective hardships. This context amplifies the sorrowful tone of the tango, resonating deeply with the emotions experienced by many during this period.

was a prominent figure in the world of tango, contributing rich and emotive lyrics that captured the essence of human emotion in the tango tradition.