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Hay que entrar (2)

Hay que entrar (2) is a Vals written by Enrique Rodríguez and recorded by Enrique Rodríguez in 1951. The Vals Hay que entrar (2) is written by Enrique Rodríguez, Enrique Rodríguez has recorded Hay que entrar (2) with the singer Armando Moreno.
The name “Hay que entrar (2)” translates to “One Must Enter (2)” in English. This evocative phrase suggests a call to action, urging one to cross thresholds both in life and in spirit. The music, reminiscent of a Tango, mirrors this urgency with its passionate rhythms, inviting us to embrace change and step into the unknown with courage.

Vals

Style

Enrique Rodríguez

Orchestra

Armando Moreno

Singer

Enrique Cadícamo

Author

Enrique Rodríguez

Composer

1951/9/10

Date

Armando Moreno
Armando Moreno
Enrique Rodríguez
Enrique Rodríguez

Discover Other Orchestras

Armando PONTIER – Verdemar – 1960/7/21
Anibal Troilo – Volver – 1970/8/13
Anibal Troilo – El motivo (Pobre paica) – 1970/8/13
Edgardo Donato – Cuyanita – 1931/1/1
Edgardo Donato – En el silencio de la noche (2) – 1930/1/1
Edgardo Donato – Desorientado – 1955/12/14
Edgardo Donato – El lengue – 1957/3/19
Edgardo Donato – Será una noche – 1952/6/25
Osmar Maderna – Rebeldía – 1947/1/9
Osmar Maderna – Canción desesperada – 1946/1/1
Osmar Maderna – Volviendo – 1947/5/30
Osmar Maderna – Títere – 1948/4/5
Osmar Maderna – Pajarito viajero – 1946/10/31

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

1951/9/10 – Que me sube que me baja – Enrique Rodriguez
1951/9/10 – Llorando la carta – Francisco Rotundo
1951/9/10 – Sobre el pucho (Un callejon en Pompeya) – Francisco Rotundo
1951/9/11 – Te odio – Jose Basso
1951/9/11 – Tomo y obligo – Jose Basso

Lyrics Translation of the Vals Hay que entrar (2)

This is the translation of the Vals “Hay que entrar (2)” from Spanish to English. The English lyrics of the Vals “Hay que entrar (2)” have been done with AI.

Letra del Vals Hay que entrar (2)

La mujer es esfinge y sonríe,
todos dicen: desconfíe.
Cuando novia es la dulce quimera,
cuando esposa, carcelera.
Son mentiras, no hay nada mejor
que un hogar, que un amor.
El problema mas grande es hallar
que la suegra resulte ideal.
Coro: Si sos brujo la vas a encontrar…

Nosotros los hombres hijitos de Dios;
ustedes las chicas, del demonio son.
Se sufre por ellas del tiempo de Adan,
lo mismo en Barracas que en Afganistán.
Yo estoy en la hornalla, no puedo salir,
y al ver que me quemo, vuelvo a repetir:
Nosotros los hombres, hijitos de Dios;
Ustedes las chicas, del demonio son.

La mujer, ya lo sé de memoria,
que es el yugo, que es la noria.
Pero de ella no puedo zafarme
y solito corro a atarme.
Los muchachos me dicen:
cartón…,reaccioná…, pajarón…
Sin embargo me voy a casar,
porque al fin, che Julián, hay que entrar.
Coro: Porque al fin, che Julián, hay que entrar.

English lyrics of the Vals "Hay que entrar (2)"

The woman is a sphinx and smiles,
everyone says: be wary.
When a girlfriend she’s a sweet illusion,
when a wife, a jailer.
They are lies, there’s nothing better
than a home, than a love.
The biggest problem is to find
that the mother-in-law turns out ideal.
Chorus: If you are a wizard, you will find her…

We men, little children of God;
you women, are of the devil.
We suffer for them since the time of Adam,
the same in Barracas as in Afghanistan.
I’m stuck in the stove, can’t get out,
and seeing that I burn, I go back to repeating:
We men, little children of God;
you women, are of the devil.

The woman, I know it by heart,
that she is the yoke, that she is the millstone.
But from her, I cannot escape
and alone I run to bind myself.
The boys tell me:
you’re a pushover…react…you fool…
Nevertheless, I’m going to marry,
because in the end, hey Julián, one must enter.
Chorus: Because in the end, hey Julián, one must enter.

Hay que entrar (2) by Enrique Cadícamo

Hay que entrar (2) is a Tango written by Enrique Cadícamo and composed by Enrique Rodríguez.



Story behind the Tango Hay que entrar (2)

The tango lyrics “Hay que entrar (2)” explore themes of love, marriage, and the complex, sometimes conflicting nature of basing decisions around these topics. The repeated phrase “porque al fin, che Julián, hay que entrar,” which means “because in the end, Julián, you have to go in,” conveys a sense of inevitability and resignation towards marriage. The entire song is a dialogue with oneself about the contradictions in attitudes towards women, from adoration to blame, reflecting a significant battle with personal convictions and societal expectations.



Symbolism of Hay que entrar (2)

In “Hay que entrar (2),” women are depicted with strong contradicting symbols such as ‘sphinx’ and associated with characteristics ranging from mystique and allurement to being denoted as part of the devil (“Ustedes las chicas, del demonio son”). This stark contrast in symbolism might represent the complicated nature of relationships and the polarized views that the society of the time held towards women – viewed as both caretakers and captors in marital relationships. Another symbol is the ‘yoke’ and ‘mill’ indicating enslavement and endless labor, portraying marriage as a burdensome yet an inevitable part of life.



Hay que entrar (2) in historic Context

Recorded in Argentina in 1951, “Hay que entrar (2)” arises in a period marked by significant political and social changes post World War II. The song mirrors the traditional conflict between retaining conventional family structures and facing modern societal changes. The repeated advice to “get into it” (marriage) despite all reservations can also reflect the societal pressure of that era where familial and marital ties were viewed as paramount.



Enrique Cadícamo

Enrique Cadícamo was a renowned Argentine tango lyricist, known for his poignant and culturally impactful compositions.