Fabrice Knecht Tango DJ

Fascinacion (2)

Fascinacion (2) is a Tango written by C. E. Bossola and recorded by Edgardo Donato in 1931. Edgardo Donato has recorded Fascinacion (2) as an instrumental Tango.
The piece titled “Fascinación (2)” translates to “Fascination” in English. This evocative melody whispers tales of enchantment, drawing listeners into its spell with every note. It captures the essence of being mesmerized, as the music weaves an intricate dance of emotion and allure, leaving an indelible mark on the soul.

Tango

Style

Edgardo Donato

Orchestra

Instrumental

Singer

Author

C. E. Bossola

Composer

1931/1/1

Date

Instrumental
Instrumental
Edgardo Donato
Edgardo Donato

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Juan D’Arienzo – Después de la boda – 1961/7/25
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Juan D’Arienzo – El chupete – 1955/8/9
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Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

1931/1/1 – A la deriva – Osvaldo Fresedo
1931/1/1 – Amo a usted tanto – Osvaldo Fresedo
1931/1/1 – Barranca abajo (2) – Osvaldo Fresedo
1931/1/1 – Bigotito – Osvaldo Fresedo
1931/1/1 – Canto Siboney – Osvaldo Fresedo

Fascinacion (2) recorded by Edgardo Donato


Fascinacion (2) is an instrumental Tango composed by C. E. Bossola.



Interpretation of Fascinacion (2)

The term “Fascinacion” translates to “Fascination” in English, and this instrumental piece can be interpreted as an evocative journey into the mesmerizing world of tango. “Fascinacion (2)” is likely to captivate listeners with its intricate melodies and rich orchestration, evoking a sense of enchantment and allure. The tango’s rhythm and dynamics might convey a dance of emotions, capturing the audience’s attention with every note, as if inviting them into an intimate and fascinating story told through music.



Edgardo Donato and Fascinacion (2)

Edgardo Donato, renowned for his contribution to tango music, brings “Fascinacion (2)” to life through his orchestra’s unique interpretation. Recorded in the early 1930s, this piece showcases Donato’s mastery in blending traditional tango sounds with his ensemble’s distinctive flair. The performance might be characterized by energetic violin motifs, intricate bandoneon passages, and a strong rhythmic foundation provided by the piano and double bass, potentially highlighting the diverse emotions that the title “Fascinacion” suggests.