Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
El once (A divertirse) is a Tango written by Emilio Fresedo and composed by Osvaldo Fresedo.
“El once (A divertirse)” translates to “The Eleventh (To Have Fun)” in English, reflecting a call to joy and entertainment. This tango tells the story of a philosophical approach towards dealing with hardships. Instead of succumbing to sorrow, the lyrics encourage finding solace in celebration and enjoyment. Through verses like “No deje que sus penas se vayan al viento”, it counsels not to let troubles weigh you down but to cast them into the wind.
The tango employs symbols like “El humo de un puro” (the smoke of a cigar) and “las notas que vagan” (wandering notes), which evoke a sense of fleeting distractions from sorrow. These images overlap with the broader context of the tango culture where smoking and music play pivotal roles in creating an atmosphere of temporary escapism. Furthermore, the lyric “Quién sabe a su lado los que irán así” reveals a communal spirit of joy, suggesting that everyone should join in the merriment, indicating no one is alone in their fight against sadness.
Composed in 1953, post World War II Argentina was undergoing significant political and economic changes. This period was marked by a sense of rebuilding and looking forward, which is mirrored in the tango’s overriding theme of overcoming sorrow and finding joy. Tango, often reflective of societal moods, served as a coping mechanism for people, highlighting why “El once” encourages leaving behind one’s sadness and reveling in the moment.
Emilio Fresedo, a notable figure in the Tango music scene, contributed richly to the genre along with his brother, Osvaldo Fresedo, a renowned bandoneon player and orchestra leader.