Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Cruz de palo is a Tango written by Enrique Cadícamo and composed by Guillermo Barbieri.
The lyrics of “Cruz de palo” vividly narrate the scene around a humble wooden cross standing near a stream, under a willow, surrounded by light and flowers. This tranquil resting place, untouched yet by thistles, harbors a sense of reverence and melancholy. An old woman’s visit to this grave, her emotions, and the raw natural elements interacting with this site shape the narrative, creating a poignant reflection on memory, grief, and the passing of time.
The wooden cross (“Cruz de palo”) in the title symbolizes simplicity and perhaps forsakenness, reflecting the modest means of the deceased or the solitary nature of the burial. The imagery of the willow weeping an “Ave María” and the nightbird’s eerie call encapsulates the sorrow and otherworldly essence of the site. The recurrent theme of light navigating the landscape in stormy, dark nights also suggests supernatural elements, possibly the soul’s journey or spiritual manifestations in Argentine folklore.
Created in Argentina in 1944, “Cruz de palo” emerges during a period of global turmoil and reflects a return to themes of solace and human struggle. This era in Argentina was marked by political change and cultural renaissance, which perhaps influenced Cadícamo to delve into themes of existential reflection, elegy, and the intimate connection with the environment as metaphors for broader human experiences and national identity.
Enrique Cadícamo was a prominent Argentine lyricist and poet, known for his significant contributions to the Tango genre.