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Cara sucia

Cara sucia is a Tango written by Francisco Canaro and recorded by Carlos di Sarli in 1957. Carlos di Sarli has recorded Cara sucia as an instrumental Tango.
“Cara Sucia,” which translates to “Dirty Face” in English, evokes a vivid picture of life’s raw and unrefined beauty. This piece, whether an instrumental or sung poem, captures the essence of innocence intertwined with hardship, a tango of life’s dance between external grime and internal purity. Its melodies or verses are a testament to resilience, a celebration of enduring spirit amid life’s dust and chaos.

Tango

Style

Carlos di Sarli

Orchestra

Instrumental

Singer

Juan Andrés Caruso

Author

Francisco Canaro

Composer

1957/7/12

Date

Instrumental
Instrumental
Carlos di Sarli
Carlos di Sarli

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Cara sucia recorded by other Orchestras

Cara sucia recorded by other Orchestras

Letra del Tango Cara sucia

Cara sucia, cara sucia, cara sucia
Te has venido con la cara sin lavar,
Esa cara tan bonita y picarona
Que refleja una pasión angelical.
Si tu cara fuera espejo de tu alma
Siempre sucia la debías de llevar
Y mis labios tuvieran que ser la fuente
Donde tu cara se tendría que lavar.

Anda a lavarte la cara
En la fuente del amor,
Y que el brillo de tus ojos
Igualen siempre a tus labios rojos…
Andá a lavarte la cara
Que deslumbra como el sol,
Y hasta el mismo San Antonio pecaría
Cara sucia, cara sucia,
Confesándote su amor.

Por tu audacia y tu figura de pillete
Por tu modo coquetón de caminar,
Por tu traza de traviesa pizpireta
Por tu modo malicioso de mirar.
Por tu rubia ensortijada cabellera
Por tu modo encantador de conversar,
Es motivo para que todos los mozos
Cara sucia, te critiquen al pasar.

English lyrics of the Tango "Cara sucia"

Dirty face, dirty face, dirty face
You’ve come with your face unwashed,
That pretty, mischievous face
Reflecting an angelic passion.
If your face mirrored your soul
Always dirty it should remain,
And my lips should be the fountain
Where your face would get cleaned.

Go wash your face
In the fountain of love,
And may the shine in your eyes
Always match your rosy lips…
Go wash your face
That dazzles like the sun,
And even Saint Anthony would sin,
Dirty face, dirty face,
Confessing his love for you.

For your audacity and cheeky figure
For your coquettish way of walking,
For your look of mischievous glee
For your sly way of looking.
For your blond curly hair
For your charming way of speaking,
It’s why all the young men
Criticize you as they pass, dirty face.

Cara sucia by Francisco Canaro

Cara sucia is a Tango written and composed by Francisco Canaro.

Story behind the Tango Cara sucia

“Cara sucia” tells the tale of a spirited and mischievous young woman affectionately known as “dirty face.” The lyrics capture her natural beauty and lively spirit, marked by her unwashed face which symbolizes youthful freedom and authenticity. The storyteller is charmed by her carefree demeanor and suggests that her face, though unapologetically dirty, reflects an angelic passion. The tale paints an endearing picture of a character who, despite being criticized by others, holds a unique allure that captivates the narrator.

Symbolism of Cara sucia

The key symbol in “Cara sucia” is the young woman’s face, which represents innocence, authenticity, and youthful rebellion. The term “cara sucia” itself suggests unashamed naturalness, contrasting societal norms that might prefer a more polished exterior. The lyrics also use the notion of washing one’s face in the “fountain of love,” suggesting a desire for purity and emotional cleansing. The juxtaposition of her “cara sucia” and “angelic passion” shows the multifaceted nature of her character, blending innocence with allure.

Cara sucia in historic Context

Composed in 1957 in Buenos Aires, “Cara sucia” emerges during a time when tango was evolving from its early cultural contexts into a more refined art form that captured both rural and urban influences. Buenos Aires, as a bustling hub of tango culture, provides a backdrop that embraces the complexities of the working-class ethos, particularly within neighborhoods known for their vibrant, yet sometimes gritty life. The potential critique faced by the protagonist in the lyrics mirrors societal judgments of the time, where appearances could dictate social standing.

Francisco Canaro

Francisco Canaro was an influential Uruguayan-Argentinian musician, composer, and conductor, who played a pivotal role in the development of tango during the early to mid-20th century.