Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Aqui he venido a cantar is a Tango written by Carlos Bahr and composed by Fulvio Salamanca.
The tango “Aqui he venido a cantar” captures a poignant narrative of a singer who is grappling with personal sorrow yet chooses to perform. The lyrics express a deep personal struggle, contrasting the act of singing with the desire to cry. It reveals the professional obligation of an artist to entertain, despite personal hardships, symbolizing resilience and dedication.
The recurring phrase “aquí he venido a cantar” (here I have come to sing) is symbolic of the singer’s resolve and purpose, emphasizing perseverance despite pain. The metaphor of a bird singing on a branch, yet sometimes silenced by discomfort, highlights the natural inclination towards expression, modulated by pain. This metaphor richly illustrates the tension between the artist’s inner turmoil and their public performance. Moreover, the insistence on singing “aunque me muera por dentro” (even though I’m dying inside) poignantly captures the depth of internal suffering cloaked under the duty of performance.
Recorded in Argentina in 1945, a time marked by political unease leading towards the rise of Juan Perón, the tango could be reflecting a broader sense of personal and societal conflict. During these times, Tango often served as an emotional outlet and a subtle political commentary. The lyrics “aunque me sobran motivos para ponerme a llar” (though I have many reasons to start crying) might be subtly addressing this broader societal despair, mirrored through personal anguish.
Carlos Bahr was an influential figure in the Argentine tango scene, known for his evocative and emotionally rich lyrics.